In the latest essay for his Race Stories column in The New York Times, Maurice Berger, research professor at the Center for Art, Design and Visual Culture, examines the work of Charles “Teenie” Harris, an African American staff photographer for the Pittsburgh Courier from the 1930s through the 1970s. Now held in the archives of the Carnegie Museum of Art, a selection of 80,000 images by Harris are now on display in “Teenie Harris Photographs: Cars,” second in a series of exhibitions that began with “Teenie Harris Photographs: Civil Rights Perspectives.” The museum “asked writers — including poets, playwrights and historians — to respond to ‘the social, cultural, and political content’ of Mr. Harris’s photos,” notes Berger.
Read “Past and Present Collide in Pittsburgh” and view the photographs at The New York Times Lens blog.
Berger’s Race Stories column, which appears monthly on The New York Times website, is “a continuing exploration of the relationship of race to photographic portrayals of race.”
Tags: CADVC, CAHSS, VisualArts