VisualArts

Performing Arts and Humanities Building in The Baltimore Sun

“The just-completed Performing Arts and Humanities Building atop the campus of the University of Maryland, Baltimore County,” says fine arts critic Tim Smith of The Baltimore Sun, “makes quite a statement from almost every angle — the sun-reflecting, stainless-steel-wrapped Concert Hall; the glass-enclosed Dance Cube jutting from the structure; views of the downtown Baltimore skyline from upper floors.” Smith’s feature, accompanied by photographs by Barbara Haddock Taylor, ran in The Sun on Sunday, August 31, and includes an interview with Scott Casper, dean of the College of Arts, Humanities and Social Sciences. Click here to read the full article and here to see… Continue Reading Performing Arts and Humanities Building in The Baltimore Sun

Eric Dyer, Visual Arts, Exhibits “Copenhagen Cycles” in New York

Eric Dyer, Visual Arts, will be featured in a solo exhibition at Ronald Feldman Fine Arts in New York. His work Copenhagen Cycles: 2006 – 2014 will be on display from September 6 through October 11, with an opening reception on September 6 from 6:00 to 8:00 p.m. Information is available at Ronald Feldman Fine Arts. The exhibition received a preview article on August 15 in Wall Street International.

Thomas Sayre’s “Forum” in the News

Forum, the public artwork by Thomas Sayre being constructed in front of the Performing Arts and Humanities Building, has been covered by local papers in North Carolina, where the “earth cast” columns were fabricated: August 12, NewsObserver.com – First Look: Raleigh sculptor Thomas Sayre – with video here. August 13, North Raleigh New – North Raleigh seniors dig unearthed art.  

Tom Lagana, Music, in Capital Gazette

Tom Lagana, Music, was interviewed for a feature article in the Capital Gazette on his forthcoming third album, Volume 1. “It’s called Volume 1 because it’s the first record I’m playing all nylon string,” the guitarist told the Capital Gazette. Also featured on the recording is electric bass play Tom Baldwin, an affiliate artist in the Department of Music. Click here to read the full story, published on Monday, August 25.

Irene Chan, Visual Arts and Asian Studies, in Women’s Studio Workshop Spotlight

Irene Chan, Visual Arts and Asian Studies, is featured in an interview published by Women’s Studio Workshop (WSW), an arts center she first visited back in 1996 as a studio intern. She speaks about the development of her artwork, her use of materials, and her projects about racial and cultural identity. Read the interview here on WSW’s website.

Maurice Berger, CADVC, Latest “Race Story” in The New York Times

In the latest essay for his Race Stories column in The New York Times, Maurice Berger, research professor at the Center for Art, Design and Visual Culture, shares his take on the thousands of photographs flooding out of Ferguson, Missouri. “Historically, photography was integral to the fight against racism and segregation. Leaders from Sojourner Truth to Malcolm X embraced the photograph’s potential as evidence and its ability to combat stereotypes,” writes Berger. “But sometimes, as in Ferguson, the camera has served as a more spontaneous ‘weapon of choice,’ as the photographer Gordon Parks called it, wielded by the oppressed in moments of anger, fear or… Continue Reading Maurice Berger, CADVC, Latest “Race Story” in The New York Times

Linda Dusman, Music, and Eric Smallwood, Visual Art, Awarded TEDCO MII Grant

Linda Dusman, Music, and Eric Smallwood, Visual Arts, in partnership with the School of Music at the University of Maryland, College Park, have received a $150,000 Maryland Innovation Initiative (MII) grant for their work on the tablet app, Symphony Interactive. MII was created as a partnership between the State of Maryland and five Maryland academic research institutions (Johns Hopkins University; Morgan State University; UMCP; University of Maryland Baltimore; and UMBC), and is managed by TEDCO, created by the Maryland State Legislature in 1998 to facilitate the transfer and commercialization of technology from Maryland’s research universities and federal labs into the… Continue Reading Linda Dusman, Music, and Eric Smallwood, Visual Art, Awarded TEDCO MII Grant

Niels Van Tomme, CADVC, Named Curator of the 7th Bucharest Biennale

Niels Van Tomme, Visiting Curator of the Center for Art, Design and Visual Culture, has been named Curator of the 7th Bucharest Biennale (Bucharest International Biennial for Contemporary Art), to take place May 26 to July 17, 2016. The Bucharest Biennale is interested in exploring links between creative practice and social progress, as well as correspondences between local and global contexts. Now in its tenth year, the Biennale continues to build a strong partnership between Bucharest—a geocultural space where the political is reflected in all aspects of life—and the rest of the world. In transcending specific geographical, historical, or political frameworks, it… Continue Reading Niels Van Tomme, CADVC, Named Curator of the 7th Bucharest Biennale

Maurice Berger, CADVC, Latest “Race Story” in the New York Times

In the latest essay for his Race Stories column in The New York Times, Maurice Berger, research professor at the Center for Art, Design and Visual Culture, examines Dawoud Bey’s intimate and powerful 2007 portrait of Barack Obama prior to becoming president. The essay is being co-published by the Hillman Photography Initiative at the Carnegie Museum of Art. “The photograph depicts its famously private and introspective subject only months before he was to step into the abyss of presidential politics. And it defines him free of the stereotypes and myths that have come to characterize his presidency,” observers Berger. Read “Meditation on… Continue Reading Maurice Berger, CADVC, Latest “Race Story” in the New York Times

Visual Arts Welcomes First Long-Term, Artist-in-Residence, Neja Tomšič

The first long-term, artist-in-residence for UMBC’s Department of Visual Arts, hosted by IMDA and the Visiting Artists Lecture Series, is Slovenian artist Neja Tomšič. Tomšič will be in residence for five weeks this fall, from October 9 until November 12. There will be several public events and many opportunities to interact with Neja Tomšič. Neja Tomšič co-founded the Museum of Transitory Art (MoTA) in 2008 and has been involved in strategic planning, international collaborations and development of an artist residency program. MoTA is a multidisciplinary platform dedicated to the research, production and presentation of transitory, experimental and live art forms. For the past two years… Continue Reading Visual Arts Welcomes First Long-Term, Artist-in-Residence, Neja Tomšič

Maurice Berger, CADVC, Receives Warhol Foundation Fellowship

The Andy Warhol Foundation for the Visual Arts has awarded Maurice Berger, CADVC, a $100,000 grant in support of his forthcoming curatorial project, Revolution of the Eye: Modern Art and the Birth of American Television. Berger was awarded $50,000 by the Warhol Foundation to support the research of Revolution of the Eye in 2012. This exhibition and publication project represents the first collaborative institutional effort between the CADVC and the Jewish Museum in New York, where Maurice holds the title of Consulting Curator. The grant will be administered by The Jewish Museum. Revolution of the Eye: Modern Art and the Birth of American Television is currently scheduled to… Continue Reading Maurice Berger, CADVC, Receives Warhol Foundation Fellowship

Lynn Cazabon, Visual Arts, Receives Fulbright Teaching Award

Associate Professor Lynn Cazabon, Visual Arts, has received a Fulbright Teaching Award to work at Leipaja University for the Spring 2015 semester. Leipaja University is in Leipaja, Latvia, a city of 75,00 located in the western part of the country on the Baltic Sea. Cazabon says her “project proposal is to develop and teach classes centered on Photography and Public Art in their New Media Arts Program. I will also pursue a project of my own focused on local traditions centered on mushroom harvesting as they connect to country-wide environmental conservation policies.”

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