In the latest essay for his Race Stories column for the New York Times, Maurice Berger, CADVC, discusses Civil Rights Photographer Jon Lewis’ pictures of farm workers outside of the Jim Crow South. Berger writes about Lewis’ “precise and moving” documentation of the Delano Grape Strike that, “offers great insights about the strike and the canny understanding of photography of its leader, Cesar Chavez.”
Read “A Civil Rights Photographer, and a Struggle, Are Remembered” at the New York Times Lens Blog.
Berger’s Race Stories column has featured several essays centered upon race and photography including, Malcolm X as image maker, Ken Gonzales-Day, images of emancipation, the photographs of Deborah Will, the civil rights work of James Karales, and the woman in a civil rights photo, fifty seven years later.
Tags: CADVC, CAHSS, VisualArts