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  • Picturing Mobility: Black Tourism and Leisure during the Jim Crow Era

    Albin O. Kuhn Library Gallery

    Picturing Mobility explores what it meant to seek leisure and travel as a Black American during the Jim Crow era, and features snapshots and travel ephemera of Black leisure experiences from the mid-Atlantic during the 1920s to 1960s. From beach outings to family road trips, these images offer glimpses into everyday moments of happiness, relaxation and community, challenging dominant narratives that define the era solely through restriction and struggle. Viewers are encouraged to reflect on the emotional power of these images of Black resistance and mobility.

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    Inclusive Excellence

    The Commons

    The campus community is invited to explore Inclusive Excellence, a set of two visual arts installations in The Commons. Developed by students in the spring 2025 Professional Practices in Graphic Design course taught by adjunct professor Katie Heater ’09, visual arts, and MFA ’13, imaging and digital arts, the striking displays can be viewed in the Mezzanine Gallery and West Entrance to The Commons.

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    Pedagogy Study Hall

    Center for Art, Design and Visual Culture (CADVC)

    The Center for Art, Design, and Visual Culture (CADVC) presents Pedagogy Study Hall, a collaborative exhibition, research project, and public humanities residency by interdisciplinary artist Tomashi Jackson and policy analyst and economic advocate Nia K. Evans. The project examines systems of investment and disinvestment in the arts and humanities as reflections of broader civic and economic structures. Drawing on Baltimore’s grassroots history of cultural labor and social justice organizing, Pedagogy Study Hall offers a multilayered model for public memory, artistic research, and civic pedagogy.

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    SPARK: Industrial Afterglow

    The Peale

    SPARK VII: Industrial Afterglow, a collaboration between UMBC and Towson University, brings together over twenty artists working across sculpture, installation, sound, photography, video, textiles, and ecological documentation to explore what lingers in the wake of industrial and technological systems. 

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    Eric Millikin: Mecha/Magical Marine Materials

    216 Performing Arts and Humanities Building

    The Center for Innovation, Research, and Creativity in the Arts presents a talk by visual artist Eric Millikin. An assistant professor of visual arts, Millikin was awarded the 2024 CIRCA-IMET Artist-in-Residence Fellowship, during which he worked on Mecha/Magical Marine Materials, an ongoing series of wearable electronic and robotic sculptures based on marine biology for performances with live-coded ambient sound and spiraling video projections. The work is based in part on the work of IMET Assistant Professor Allison Tracy as well as on Edgar Allan Poe’s tales of sea-faring science and the supernatural, including depictions of necromancers creating mechanical sea monsters.

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  • Picturing Mobility — Panel Discussion

    Albin O. Kuhn Library Gallery

    In conjunction with the exhibition the exhibition Picturing Mobility: Black Tourism and Leisure during the Jim Crow Era, on display from September 2 through December 19, the Albin O. Kuhn Library Gallery presents a panel discussion.

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