Lost Boys: Amos Badertscher’s Baltimore is the first career retrospective of artist Amos Badertscher in the United States. Between the 1960s and 2005, Badertscher documented hustlers, club kids, go-go dancers, drag queens, drug addicts, friends, and lovers who were part of LGBTQ+ life in Baltimore.
The Shriver Hall Concert Series presents elegant flutist Brandon Patrick George, a “knockout musician with a gorgeous sound” (Philadelphia Inquirer) joined by harpist Parker Ramsay, hailed as “remarkably special” (Gramophone) with an artistry that is “marked by a keen musical intelligence” (Wall Street Journal) for an unforgettable duo recital. Together they perform a lyrical program spanning centuries and continents.
FloodZone, featuring photography by Anastasia Samoylova, explores what it looks like to live in the southern United States at a time when rising sea levels and hurricanes threaten the most prized locations with storm surges and coastal erosion. Samoylova’s lyrical photographs are deceptive, drawing us in with a seemingly documentary promise of a palm-treed paradise. Their alluring color palette — filled with lush greens, azure blues, and pastel pinks — gives way to minute details that reveal decaying infrastructure, encroaching flora, and displaced fauna.
The Center for Art, Design and Visual Culture presents a book launch to celebrate the publication of Oletha DeVane: Spectrum of Light and Spirit. This online event will feature Oletha DeVane, Lowery Stokes Sims, Christopher Kojzar, and Serubiri Moses.
In the spirit of armchair travelers everywhere, the Voyager Ensemble explores a new culture each year by combining standard repertoire along with contemporary works by composers from the region. This year’s concert focuses on Puerto Rico with directors Airi Yoshioka (violin) and David Yang (viola) joined by eminent Puerto Rican musicians José Miguel Cueto (violin) and Kelvin Diaz Inoa (cello).
In conjunction with the exhibition Anastasia Samoylov: FloodZone on display at the Albin O. Kuhn Library Gallery from January 29 through May 24, the Albin O. Kuhn Library Gallery presents Anastasia Samoylova in conversation with Mark Alice Durant.
The Center for Art, Design and Visual Culture presents the Opening Reception for Spectrum of Process: 2024 UMBC Faculty Exhibition. Spectrum of Process presents a range of UMBC faculty approaches to art and culture through rigorous, experimental processes.
Known for presenting works of technical precision, joyful ease, dramatic relevance, and playful unpredictability, Baltimore Dance Project presents a diverse program of eight thrilling works, from tap and contemporary dance to poetry and spoken word. The evening also includes Infinite Transformations, an immersive multi-disciplinary installation that can be experienced prior to the performances.
Join us for Infinite Transformations, a multimedia, transdisciplinary installation presented in conjunction with performances by Baltimore Dance Project on February 9 and 10. Conceived by Foad Hamidi (assistant professor of information systems) and Linda Dusman (professor of music) and created as part of an Imaging Research Center (IRC) Faculty Fellowship, the project brings together the fields of bio art, audio design, and visualizations, with a creative team involving Lee Boot, Ryan Zuber, and Alan Wonneberger, and with choreography by Carol Hess.
The Center for Art, Design and Visual Culture presents Spectrum of Process: 2024 UMBC Faculty Exhibition, on display from February 9 through March 2. Spectrum of Process presents a range of UMBC faculty approaches to art and culture through rigorous, experimental processes. The exhibition is interdisciplinary, including works of fine art, design, pedagogy, and the visual culture of research.
The Annual Daphne Harrison Lecture, part of the Spring 2024 Humanities Forum, features Naomi André, who will speak on Opera’s New Realism: Expanding Narratives and Representation. As opera begins to cater to more diverse audiences, performances today frequently embrace a broader mission that engages social justice in the movements around #MeToo, Queer and Trans spectrums, and Black Lives Matter. The event will also feature the UMBC Jubilee Singers under the direction of Janice Jackson.
Join artists Paul Rucker (artist in residence at the Center for Art, Design and Visual Culture) and Kim Rice in a public discussion about their research into the history of urban redlining. Rucker and Rice will discuss a project-in-process focused on discriminatory real estate practices and the power of art to change spatial injustice.
In conjunction with the exhibition Spectrum of Process, on display from February 9 through March 2, the Center for Art, Design and Visual Culture presents a discussion, Research and Process, featuring faculty and students involved in the “Can You Catch a Deep Fake?” and “Artifacts” research projects.
Explore a mix of classical, contemporary, jazz, and tango works of huge emotional breadth written for clarinet, horn, and bassoon. Performers include UMBC clarinet professor Natalie Groom and guest collaborators Kat Robinson (horn) and Qun Ren (bassoon). Hear world premieres and commissions designed as “flex” chamber music (chamber music that can be played by many combinations of instruments) and crafted with meaningful messages.
Join Tomashi Jackson (artist in residence at the Center for Art, Design and Visual Culture) for a public discussion about her present research. Jackson will be in conversation with Nicole King, associate professor of American Studies and director of the Orser Center for the Study of Place, Community, and Culture at UMBC.
