The third of six events in the Livewire 14: Resounding new music festival features Sofia Kamayianni and Tim Ward, who will present their jointly developed Piano+ system. The Piano+ system seeks to extend the sound world of the piano using technology while at the same time closely integrating into conventional piano performance techniques the control and shaping of the new timbres made possible. In this way the extension of the piano offers radical new possibilities to a performer while not dramatically changing their physical practice on the instrument.

Livewire 14: Resounding presents an installation of Piano Garden by featured composer Annea Lockwood. In this work, a piano is set down among bushes or in a wooded area, where it remains indefinitely, unprotected from the elements. Over time, vines, plants, and trees grow over, inside, and around the piano as it slowly decays.

The fourth of six events in the Livewire 14: Resounding new music festival features Hub New Music with performances of works by Caterina Calderoni, Rahilia Hasanova, Eleanor Hovda, and Nina C. Young. Hub will be joined by guest artists Teodora Adzharova and Dustin Donahue.

The Cabalitto Negro ensemble, featuring Tessa Brinckman, flutes, and Terry Longshore, percussion, are joined by UMBC faculty Lisa Cella, flutes, and Dustin Donahue, percussion, for a concert of works by Emma O’Halloran, Jane Rigler, Will Rowe, Stuart Saunders Smith, and featuring the East Coast premiere of Birds, Bees, Electric Fish by Juri Seo.

The Livewire 14: Resounding new music festival presents an open rehearsal of "bayou-borne, for Pauline" by featured composer Annea Lockwood.

The Livewire 14: Resounding new music festival presents A Conversation with Annea Lockwood, in which the composer will discuss her life and works with Linda Dusman, professor of music at UMBC.

The final event of the Livewire 14: Resounding new music festival presents the work of featured New Zealand-born American composer Annea Lockwood, who brings vibrant energy, ceaseless curiosity, and a profound sense of openness to her music. Lockwood’s lifelong fascination with the visceral effects of sound in our environments and through our bodies — the way sounds unfold and their myriad “life spans” — serves as the focal point for works ranging from concert music to performance art to multimedia installations.

The Center for Innovation, Research, and Creativity in the Arts (CIRCA) presents cellist Juan Sebastián Delgado, faculty fellow for diversity in the arts, who will discuss Imaginary Tangos: Research, improvisation, and performance practice in contemporary tango music. In this talk, he will discuss and analyze different works featuring the cello by prominent living composers that showcase a distinctive style, musical narrative, and contemporary practices.

Inscape, praised by The New York Times, as "brilliant," performs a program featuring Dmitri Shostakovich's Chamber Symphony, Paul Hindemith's Mathis der Maler (arranged for chamber orchestra), and Osvaldo Golijov's Tenebrae.