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Archive 192: Abstract Photographs by Women

Albin O. Kuhn Library Gallery

The Albin O. Kuhn Library Gallery presents Archive 192: Abstract Photographs by Women, featuring works by Sara Angelucci, Claudia Fáhrenkemper, Jennifer Garza Cuen, Sage Lewis, Claire A. Warden, and others. This exhibition presents a selection of objects from Archive 192, an independent archive dedicated to preserving and celebrating abstractionist works by women photographers. The prints on view survey the array of photographic processes and diverse techniques of abstraction employed by photographers over the past century. Related ephemera, including publications, artist books, and posters document the evolution of abstractionism in photography and political movements that impact women working within the medium.

Conflux: Variation

Fine Arts Building Amphitheatre

The Center for Art, Design, and Visual Culture launches its 2025 program with Conflux: Variation (2025) by Baltimore-region artist collective Collis Donadio. This public video art projection, showing nightly in the Fine Arts Building Amphitheatre, explores the intersections of industry and the environment in Baltimore, where water meets land.

The Only Way Out Is Through: The 2025 Intermedia and Digital Arts (IMDA) MFA Thesis Exhibition

Center for Art, Design and Visual Culture (CADVC)

The Intermedia and Digital Arts Master's Program presents The Only Way Out Is Through: The 2025 Intermedia and Digital Arts (IMDA) MFA Thesis Exhibition. On view from March 25 through April 12, the exhibition features work by graduating students McCoy Chance, Ahlam Khamis, Ghazal Mojtahedi, Alexi Scheiber, and Mariia Usova.

Cockeysville to Baltimore: Levester Williams

Online

Center for Art, Design and Visual Culture artist resident Levester Williams was recently featured in all matters aside, a survey exhibition curated by Lisa D. Freiman. The exhibition featured a selection of works produced during Williams’s artist residency research into the histories and mythologies of Cockeysville marble, a material used in both the Washington Monument in Baltimore’s Mount Vernon neighborhood and the iconic exterior steps of local rowhomes. On April 1, the CADVC presents a webinar featuring Levester Williams in conversation with sound designer Dan Shields, moderated by Lisa D. Freiman.

Melissa Hyatt Foss: Rewilding Sound and Form

216 Performing Arts and Humanities Building

The Center for Innovation, Research, and Creativity in the Arts (CIRCA) presents artist Melissa Hyatt Foss, an instrument-maker, musician, composer-performer, researcher, and teaching artist who develops artistic and educational projects that explore pre-Colonial sound artifacts of the Americas and their applications in contemporary art and music. Foss is the Maryland Traditions Artist-in-Residence at UMBC where she shared her tradition and practice with Linehan Artist Scholars students and is guiding them to develop teaching materials that will enable public school teachers to introduce the practice, history, and cultural significance of clay instrument making to their students.

Tomashi Jackson and Nia Evans: “Pedagogy Study Hall” — Structures of cultural support

Lion Brothers Building, 875 Hollins Street, Baltimore

The Center for Art, Design, and Visual Culture (CADVC) hosts an Exploratory Research Residency that invites artists and interdisciplinary collaborators to take advantage of scholarly resources and to build partnerships at UMBC and in the Baltimore region. In 2025, CADVC hosts Tomashi Jackson’s “Pedagogy Study Hall” project as part of this program, which, in collaboration with policy analyst and economic advocate Nia Evans, will host a series of intermedia series of public discussions about investment and disinvestment in the arts and humanities, looking to Baltimore as a critical case study in grassroots organizing in a system of gross structural inequity. The event will be a conversation about structures of cultural support with Ryan Patterson, Nick Hartigan, and Denise Griffin Johnson.

Ada Pinkston: The Aesthetics of Truth in a Post Truth Science Fiction or Remixing Public Memory Towards the End of the Anthropocene

011 Fine Arts Building

The Department of Visual Arts presents a talk by multimedia artist, educator, and cultural organizer Ada Pinkston: The Aesthetics of Truth in a Post Truth Science Fiction or Remixing Public Memory Towards the End of the Anthropocene, inspired by musical selections including Triptych by Max Roach.

Tomashi Jackson and Nia Evans: “Pedagogy Study Hall” — Education history and policy

Online

The Center for Art, Design, and Visual Culture (CADVC) hosts an Exploratory Research Residency that invites artists and interdisciplinary collaborators to take advantage of scholarly resources and to build partnerships at UMBC and in the Baltimore region. In 2025, CADVC hosts Tomashi Jackson’s “Pedagogy Study Hall” project as part of this program, which, in collaboration with policy analyst and economic advocate Nia Evans, will host a series of intermedia series of public discussions about investment and disinvestment in the arts and humanities, looking to Baltimore as a critical case study in grassroots organizing in a system of gross structural inequity. The event will be a conversation on education history and policy with Davarian Baldwin and Matt Cregor.

AI and Artistic Practice: Sam Pluta, Brea Souders, and Eryk Salvaggio

Albin O. Kuhn Library Gallery

In a discussion presented by the Center for Innovation, Research, and Creativity in the Arts (CIRCA), composer and sound artist Sam Pluta, visual artist Brea Souders, and video artist and writer Eryk Salvaggio each use and interact with AI in their artistic practice. They will introduce us to their work, reflecting on their experiences, doubts, and breakthroughs creating works using these technologies. This will be followed by a discussion moderated by UMBC assistant professor of art Eric Millikin.