The Maryland Arts Summit, hosted at UMBC, is a statewide conference presented by and for the Maryland arts sector, which includes, but is not limited to: arts advocates, arts educators and teaching artists, independent artists, arts organizations, youth, community stakeholders, arts and entertainment districts, county arts agencies of Maryland, public artists, boards of directors, and folklife artists.
Lost Boys: Amos Badertscher’s Baltimore is the first career retrospective of artist Amos Badertscher in the United States. Between the 1960s and 2005, Badertscher documented hustlers, club kids, go-go dancers, drag queens, drug addicts, friends, and lovers who were part of LGBTQ+ life in Baltimore.
The Center for Art, Design and Visual Culture presents the Opening Reception for States of Becoming, an exhibition curated by Fitsum Shebeshe and produced by Independent Curators International (ICI). A 6 p.m. panel discussion will feature Chukwudumebi Gabriel Amadi-Emina, Elshafei Dafalla, and Helina Metaferia, moderated by Maleke Glee, director of Stable Gallery in Washington, D.C. Exhibition curator Fitsum Shebeshe will provide an introduction.
The Center for Art, Design and Visual Culture presents States of Becoming, an exhibition curated by Fitsum Shebeshe and produced by Independent Curators International (ICI). States of Becoming examines the dynamic forces of relocation, resettling, and assimilation that shape the artistic practices of a group of 17 contemporary African artists who have lived and worked in the United States within the last three decades, and informs the discourse on identity construction within the African Diaspora.
In conjunction with the exhibition Lost Boys: Amos Badertscher’s Baltimore, the Albin O. Kuhn Library Gallery presents a panel discussion, LGBTQ+ Oral Histories: Ethics and Practice. The discussion will feature Kate Drabinski (UMBC), Joseph Plaster (Johns Hopkins University), Hunter O’Hanian (independent scholar and curator), and students of the 2023 Interdisciplinary CoLab, “LGBTQ+ Oral History Project.”
Join us for a retrospective screening of Joanna Priestley’s award winning short animated films with introductions and explanations of techniques by the artist. Priestley’s work maintains a high level of porosity between serious exploration of boundaries and intuitive whimsy, and she is dedicated to experimentation in technique, theme, and content.
Spark 6: Refractions features the work of UMBC and Towson faculty, recent graduates, and current students in the historic galleries of The Peale in Baltimore City, sponsored by PNC. Refraction is the change in direction of a wave as it passes from one transparent substance into another — a phenomenon most commonly observed when light waves pass through lenses, magnifying glasses, and prisms. Each of the artists in this exhibition serves as an apparatus of refraction: focusing, magnifying, or redirecting our attention and experience of our world.
In conjunction with the exhibition States of Becoming, curated by Fitsum Shebeshe and produced by Independent Curators International (ICI), the Center for Art, Design and Visual Culture presents a conversation with the curator and Jessica Bell Brown, curator at the Baltimore Museum of Art. The discussion, moderated by Rhea Beckett, founding director at Black Artist Research Space, will focus on curatorial approaches to African diasporic experience and migration.
Amy Eva Raehse, executive director and partner at Goya Contemporary Gallery and writer, educator, and independent curator, will give us a behind the scenes view of her career and will answer questions about gallery practices, representation, and sustaining a contemporary art gallery in Baltimore.
As part of the exhibition SPARK 6: Refractions, Anna Kroll and Chloë Engel present Inside the Room, featuring “The Space is a Body and You Are In It,” a collaborative world-building (and world-falling apart) game. Developed during the early days of the pandemic when dancing together only became possible through speech, the game engages bodily awareness, the (im)possibility of a shared imagination, and coping with inevitable disaster. In this intimate performance, audience members are invited to watch Kroll and Engel play the game, building an imaginary space and watching it fall apart.
Join artist Stephen Bradley for Imaging the Peale's Biomes, as part of the exhibition SPARK 6: Refractions. Participants will explore the environment through BioBuggy, a mobile art and science laboratory on wheels designed and envisioned by media artist Stephen Bradley and scientist Eric Schott.
A special addition to the SPARK 6: Refractions exhibition — Wavefront — features the work of Towson University and UMBC students and alumni Allanis Silva, Audrey Le Ballentine, Audrey Mba, Ayanna Phillips, Gabrielle Moore, Kellan Marriot, Kristen Landsman, Michael Elias Rubinstein, Susie Park, and more artists to be announced.
Enjoy the works of more than 20 artists from UMBC and Towson University at the exhibition reception for SPARK 6: Refractions, sponsored by PNC Bank and on display at The Peale in downtown Baltimore.
Part storytelling, part lecture, and part live documentary film, Sarah Kanouse’s solo performance My Electric Genealogy explores the shifting cultures and politics of energy in Los Angeles through the lens of her own family.
As part of the exhibition SPARK 6: Refractions, artist Phil Davis curates Projections at The Peale, an illumination of The Peale’s second-floor galleries with video projections viewed from outside.
