The Department of Music presents the UMBC New Music Ensemble under the direction of Lisa Cella. The ensemble will present Morton Feldman's 1978 seminal work Why Patterns? and music by Jesse Jones, Libby Larsen, John Cage, Ted Hearne, and Dylan Tran.
Race Stories: Celebrating Maurice Berger celebrates the life and legacy of Maurice Berger, who was research professor and chief curator at the Center for Art, Design, and Visual Culture (CADVC) until his death in 2020. The event will include the launch of the Maurice Berger CADVC Program Fund, the publication of “RACE STORIES: Essays on the Power of Images,” a collection of award-winning essays by Maurice Berger, the relaunch of the CADVC’s Issues in Cultural Theory publication series, the publication of Cockeysville to Baltimore (accompanying the exhibition Levester Williams: all matters aside), and remarks from noted speakers.
The Department of Dance presents the Fall Dance Showcase, featuring capstone work by senior students and independent student research.
UMBC Theatre presents Down With Love: An Actor Showcase, directed by Joseph W. Ritsch, with musical direction by Andrew Hann. Join our acting majors for an evening of songs, scenes, and speeches exploring love’s highs, lows, and everything in between!
The Department of Music presents the UMBC Percussion Ensemble under the direction of Dustin Donahue.
The Department of Music presents the Jubilee Singers and the UMBC Gospel Choir under the direction of Janice Jackson.
The Department of Music presents UMBC Jazz in Concert, featuring the Jazz Guitar Ensemble, the Jazz Small Groups, and the Jazz Ensemble, under the direction of Tom Baldwin, Tom Lagana, and Matthew Belzer.
The Department of Music presents the UMBC Opera Workshop under the direction of Sammy Huh.
The Department of Music presents the Honors Showcase, featuring students selected by audition to present their creative work.
The Department of Music presents the UMBC Improvisation Ensemble under the direction of Patrick Crossland.
Chamber Music Maryland presents cellist Nicolas Altstaedt in concert with pianist/composer Fazil Say. Their program will feature Say's masterpiece Four Cities, in addition to works by Benjamin Britten, Samuel Barber, and Johannes Brahms.
The Baltimore Classical Guitar Society presents Gabriel Bianco, who has earned first prize in multiple international competitions in Austria (Vienna), Germany (Koblenz), France (Ile de Ré and Barbezieux), Poland (Tychy) and Portugal (Sernancelhe). His most recent win at the 2008 Guitar Foundation of America Competition has earned him the coveted 50-concert tour in the United States, Mexico, and Canada with additional concerts in China, Colombia, and Brazil. Bianco has already performed in over 30 music festivals across the world, in France, Germany, Czech Republic, Poland, Austria, Spain, Italy, Hungary, Romania, Portugal, Slovakia, and Thaïland.
The Baltimore Classical Guitar Society presents Made in Baltimore, featuring new works for classical guitar written by local composers commissioned by BCGS. For the 2024–2025 season, the awardees are Zhishu Chang, Zac Fick-Cambria, Antonio Sanz Escallón, and UMBC student Jack McGrath, who will write ensemble works inspired by Charm City.
The Shriver Hall Concert Series presents charismatic rising stars the Ivalas Quartet in a program of three works traversing the musical heavens. Osvaldo Golijov took inspiration for his poignant Tenebrae from a planetarium visit with his son. Sparked by a lecture on physics, Eleanor Alberga’s rich and spellbinding quartet explores the ideas of swirling particles and stargazing from outer space. Finally, the group infuses one of Beethoven’s final works with “tremendous heart and beauty” (The Strad).
UMBC Theatre presents John Proctor is the Villain by Kimberly Belflower, directed by Susan Stroupe. In a high school English class, a group of lively teens are studying “The Crucible” while navigating young love, sex education, and the founding of a feminist club. Holding a contemporary lens to the American classic, the kids uncover more than one school scandal and discover their own power in the process. Alternately touching and bitingly funny, this new comedy runs on pop music, fury, and the audacity of a new generation coming-of-age.
