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Revisions: Celebrating 50 Years of the UMBC Photography Collections

Albin O. Kuhn Library Gallery

The Albin O. Kuhn Library Gallery presents Revisions: Celebrating Fifty Years of the UMBC Photography Collections, featuring highlights and lesser-known gems from UMBC’s considerable photography holdings. Looking back at a half-century of collecting, the exhibition offers thematic groupings and visual juxtapositions of photographs from the nineteenth century to the present. The display asks viewers to approach the history of photography with fresh eyes. Among the artists featured are Berenice Abbott, Diane Arbus, Cary Beth Cryor, Darryl Curran, Judy Dater, Robert Frank, Roland Freeman, Ralph Gibson, Lewis Hine, Lisette Model, and Alfred Stieglitz.

Levester Williams: all matters aside

Center for Art, Design and Visual Culture (CADVC)

The Center for Art, Design and Visual Culture presents the early-career survey Levester Williams: all matters aside, an exhibition curated by Lisa D. Freiman, professor of art history at Virginia Commonwealth University. The exhibition presents a selection of the Philadelphia-based conceptual sculptor’s work from the past decade, including sculpture, video, sound art, and installation.

Livewire 14: Resounding, featuring Annea Lockwood

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

Join us for UMBC’s 14th annual Livewire new music festival, an exploration of new sounds presented in six concerts over three days, October 24 to 26. Livewire 14: Resounding celebrates the work and completion of I Resound Press, an online archive of scores and recordings by women composers selected for their imagination, innovation and craft. Featured guest composer Annea Lockwood will interact with students and audiences in a variety of events, including a sound installation, public conversations, open rehearsals, and a concluding portrait concert of her recent works. Hub New Music, Sofia Kamayianni and Tim Ward, Caballito Negro, and the UMBC faculty contemporary ensemble Ruckus will present concerts including works from the I Resound archive by composers Rahilia Hasanova, Patricia Repar, Sofia Kamayianni, Linda Dusman, Anna Rubin, Lois V Vierk, Ruth Lomon, Caterina Calderoni, Jane Rigler, and Eleanor Hovda. Livewire 14 features premieres by Hasanova, Dusman, Alexandra Gardner, and others, including Sam Garrett, the commissioned alumnus composer for 2024.

Livewire 14: Ruckus

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The 14th annual Livewire new music festival kicks off with a concert by the Ruckus ensemble, featuring works by Linda Dusman, Alexandra Gardner, Sam Garrett ’11, music, Patrice Repar, and Anna Rubin. The ensemble features UMBC faculty Teodora Adzharova, piano; Lisa Cella, flutes; Patrick Crossland, trombone; Juan Sebastián Delgado, cello; Dustin Donahue, percussion; Natalie Groom, clarinet; Gita Ladd, cello; Airi Yoshioka, violin; and Philip Mann, conductor.

Livewire 14: Student and Alumni Concert

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The second of six concerts in the Livewire 14: Resounding new music festival will feature works by UMBC students and music alumni.

Livewire 14: Sofia Kamayianni and Tim Ward

The Music Box

The third of six events in the Livewire 14: Resounding new music festival features Sofia Kamayianni and Tim Ward, who will present their jointly developed Piano+ system. The Piano+ system seeks to extend the sound world of the piano using technology while at the same time closely integrating into conventional piano performance techniques the control and shaping of the new timbres made possible. In this way the extension of the piano offers radical new possibilities to a performer while not dramatically changing their physical practice on the instrument.

Livewire 14: Annea Lockwood’s Piano Garden

Performing Arts and Humanities Building

Livewire 14: Resounding presents an installation of Piano Garden by featured composer Annea Lockwood. In this work, a piano is set down among bushes or in a wooded area, where it remains indefinitely, unprotected from the elements. Over time, vines, plants, and trees grow over, inside, and around the piano as it slowly decays.

Livewire 14: Hub New Music

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The fourth of six events in the Livewire 14: Resounding new music festival features Hub New Music with performances of works by Caterina Calderoni, Rahilia Hasanova, Eleanor Hovda, and Nina C. Young. Hub will be joined by guest artists Teodora Adzharova and Dustin Donahue.

Livewire 14: Caballito Negro + Friends

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The Cabalitto Negro ensemble, featuring Tessa Brinckman, flutes, and Terry Longshore, percussion, are joined by UMBC faculty Lisa Cella, flutes, and Dustin Donahue, percussion, for a concert of works by Emma O’Halloran, Jane Rigler, Will Rowe, Stuart Saunders Smith, and featuring the East Coast premiere of Birds, Bees, Electric Fish by Juri Seo.

Livewire 14: A Conversation with Annea Lockwood

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The Livewire 14: Resounding new music festival presents A Conversation with Annea Lockwood, in which the composer will discuss her life and works with Linda Dusman, professor of music at UMBC.

Livewire 14: Annea Lockwood Portrait Concert

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The final event of the Livewire 14: Resounding new music festival presents the work of featured New Zealand-born American composer Annea Lockwood, who brings vibrant energy, ceaseless curiosity, and a profound sense of openness to her music. Lockwood’s lifelong fascination with the visceral effects of sound in our environments and through our bodies — the way sounds unfold and their myriad “life spans” — serves as the focal point for works ranging from concert music to performance art to multimedia installations.

Humanities Forum — Dagmawi Woubshet

Albin O. Kuhn Library Gallery

The annual Daphne Harrison Lecture features Dagmawi Woubshet, Edmund J. and Louise W. Kahn Endowed Term Associate Professor, English, University of Pennsylvania, who will speak on James Baldwin and the Art of Late Style. James Baldwin has come back with full force in our era of Black Lives Matter. In the 100 years since his birth, he has become the most cited literary artist—living or dead—on matters of race on social media since the Ferguson Uprising, his words deployed to expose white power and innocence and to express black rage and ethics. Decades after his death, the fact that Baldwin’s words ring loud and true today not only testifies to his genius, but also offers an indictment of an America that continues to disparage, torture, and murder black people with impunity.

Stupid F*cking Bird

Proscenium Theatre

UMBC Theatre presents Stupid F*cking Bird by Aaron Posner, sort of adapted from The Seagull by Anton Chekhov, with songs by Aaron Posner and James Sugg, directed by Gerrad Alex Taylor. In this irreverent, contemporary, and very funny remix of Chekhov’s The Seagull, Aaron Posner stages a timeless battle between young and old, past and present, art and life. Stupid F*cking Bird will tickle, tantalize, and incite you to consider how art, love, and revolution fuel your own pursuit of happiness.

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