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Anastasia Samoylova, Gator, 2017 From FloodZone © Anastasia Samoylova

Anastasia Samoylova: FloodZone

Albin O. Kuhn Library Gallery

FloodZone, featuring photography by Anastasia Samoylova, explores what it looks like to live in the southern United States at a time when rising sea levels and hurricanes threaten the most prized locations with storm surges and coastal erosion. Samoylova’s lyrical photographs are deceptive, drawing us in with a seemingly documentary promise of a palm-treed paradise. Their alluring color palette — filled with lush greens, azure blues, and pastel pinks — gives way to minute details that reveal decaying infrastructure, encroaching flora, and displaced fauna.

A promotional poster says Slime by Byron Lavery

Slime by Bryony Lavery

Proscenium Theatre

UMBC Theatre presents Slime by Bryony Lavery, directed by Nigel Semaj. Welcome to the Third Annual Slime Crisis Conference! Seven grad students, all fluent in animal languages, linguistics, and culture, join delegates of almost every species to save life on earth from a toxic slime.  As they debate and translate for dolphins, seabirds, and polar bears, they ask, “Who is coming to save us?” The answer might surprise you….

A graphic design says Not Grounded

Not Grounded: the 2024 IMDA MFA Thesis Exhibition

Center for Art, Design and Visual Culture (CADVC)

The Intermedia and Digital Arts Master's Program presents Not Grounded, the 2024 IMDA MFA Thesis Exhibition. Opening with a public reception on Thursday, April 4, from 5 to 7 p.m., the exhibition features four artists with diverse artistic practices and approaches: Elly Kalantari, Andrew Liang, Kristin Putchinski, and A. M. Zellhofer.

A man with dark hair, black shirt and glasses smiles at the camera

Humanities Forum: Evelyn Barker Lecture with Sean D. Kelly

Albin O. Kuhn Library Gallery

In 1947, Martin Heidegger wrote what is now known as his “Letter on Humanism,” which is rich and revealing. At the center of the Letter stands a singular, pointed claim: that all previous “humanisms,” have failed to recognize the “proper dignity of human being.” Drawn from a book in progress, this talk by Sean D. Kelly of Harvard University will explore questions of our proper dignity, and the threat to it posed by the technological age. This event is part of the Spring 2024 Humanities Forum.

Musicians perform on violin, clarinet, and piano

Strata: An Evening of Premieres

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The Strata ensemble returns to UMBC to present the premieres of five new works by UMBC student composers — Permafrost by Joshua Epstein, Phaistos by Pam Voulalas, Trials and Tribulations by Sarah Yuran, Sonder by D'Juan Moreland, and Radical by Vittoria Tchotche. 

On the left, three people pose on steps, two of them holding a violin and a clarinet. On the right, a woman plays cello against a woodland scene.

Strata with Amy Sue Barston

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The Strata ensemble joins forces with cellist Amy Sue Barston in a program featuring Stomping Grounds (2015) by Karim Al-Zand (b. 1970) and Olivier Messiaen's timeless masterpiece Quatuor pour la fin du temps (Quartet for the End of Time), written while the composer was a prisoner of war in 1940–41.

A man with dark hair and a white shirt smiles at the camera

Low Lecture with Kevin Dawson

Albin O. Kuhn Library Gallery

The annual Low Lecture features Kevin Dawson, associate professor of history at the University of California, Merced, who will speak on Liquid Motion: Canoeing and Surfing in Atlantic Africa and the Diaspora, 1444–1888. “Liquid Motion” examines how African women and men perceived, understood, and interacted with oceans and rivers through swimming, underwater diving, surfing, canoe-making, and canoeing. Africans inspire us to rethink assumptions about maritime history, by considering maritime traditions that Westerns lacked. Enslaved Africans carried these maritime traditions to the Americas, where they used them to benefit their exploited lives and enslavers exploited them to generate wealth. This event is part of the Spring 2024 Social Sciences Forum.

Two women in side-by-side images, the one on the left holding a bass flute

inHALE

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

Flutists Lisa Cella and Carrie Rose of the inHALE collective present a program of music for a variety of flutes by Giorgos Vavoulas, Alexandre Lunsqui, Caterina Calderoni, Mark Menzies, Carrie Rose, Allison Loggins-Hull, and Nathalie Joachim.

Seen through a clear bottle are what appear to be biological forms, possibly in a laboratory

Aisen Caro Chacin: Assistive Device Art

132 Performing Arts and Humanities Building

The Center for Innovation, Research, and Creativity in the Arts (CIRCA) presents Aisen Caro Chacin, who will discuss Assistive Device Art: Transformation of Ability and Perception, The Plasticity of the Mind, and Human Expansion.

A poster says PAW Talks and a significant amount of information about the event

PAWTalks: TRAXXX: Black Queer Nightlife in High Fidelity

102 Performing Arts and Humanities Building

TRAXXX: Black Queer Nightlife in High Fidelity, featuring madison moore, Kristy la rAt and lighting by Artemis, is an invitation for you to come and catch the beat. Black queer dance floors have always served something else — a vibrant and vibrating antidote to the here and now. The most important clubs in Black queer nightlife history, from The Warehouse (Chicago) to Paradise Garage (New York) were known for serving ovah beats, guiding clubbers eager to ride waveforms to other dimensions. What do these frequencies of Black queerness make possible? The performance will include a conversation with artist and DJ Kristy la rAt and lighting by Artemis.

A group of musicians pose, some holding instruments

Inscape Chamber Orchestra

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

Inscape performs a program featuring Samuel Coleridge-Taylor's Nonet along with vivacious works by Martinů and Britten. Each work is written for ensemble configurations that bridge the gap between chamber music and chamber orchestra. Coleridge-Taylor's long forgotten Nonet was premiered in 1894 and showcases his influence and admiration for the works of Dvořák. Martinů's Musique de Chambre No. 1 for harp, piano, and chamber players was his very last published work which stands in contrast to Britten's Sinfonietta for small orchestra, which he designed his "Opus 1" and dates from his student years.

A photograph of a rectangular fountain, although the fountain is not running, with pastel colors.

Climate Change, Science Communication, and the Arts: An Earth Day Panel Discussion featuring Anastasia Samoylova

Albin O. Kuhn Library Gallery

How do climate scientists share their research and data with the wider public in a way that non-specialists can understand? How do different communication strategies engage diverse audiences? How might art contribute to this urgent work? This panel discussion is held in conjunction with the spring Library Gallery exhibition, Anastasia Samoylova: FloodZone, and features the artist in conversation with scientists and media historians specializing in science communication.

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