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Anastasia Samoylova: FloodZone

Albin O. Kuhn Library Gallery

FloodZone, featuring photography by Anastasia Samoylova, explores what it looks like to live in the southern United States at a time when rising sea levels and hurricanes threaten the most prized locations with storm surges and coastal erosion. Samoylova’s lyrical photographs are deceptive, drawing us in with a seemingly documentary promise of a palm-treed paradise. Their alluring color palette — filled with lush greens, azure blues, and pastel pinks — gives way to minute details that reveal decaying infrastructure, encroaching flora, and displaced fauna.

Amy Williams: Morton Feldman’s Triadic Memories

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

By the early 1980s, American composer Morton Feldman (1926–1987) began to create works of unusually long duration, featuring intricate interplays of pitches and patterns that slowly unfold (and sometimes suddenly change) over time. Among these works is the evening-length solo piano composition Triadic Memories (1981), performed in this concert by distinguished pianist and composer Amy Williams.

Slime by Bryony Lavery

Proscenium Theatre

UMBC Theatre presents Slime by Bryony Lavery, directed by Nigel Semaj. Welcome to the Third Annual Slime Crisis Conference! Seven grad students, all fluent in animal languages, linguistics, and culture, join delegates of almost every species to save life on earth from a toxic slime.  As they debate and translate for dolphins, seabirds, and polar bears, they ask, “Who is coming to save us?” The answer might surprise you….

Not Grounded: the 2024 IMDA MFA Thesis Exhibition

Center for Art, Design and Visual Culture (CADVC)

The Intermedia and Digital Arts Master's Program presents Not Grounded, the 2024 IMDA MFA Thesis Exhibition. Opening with a public reception on Thursday, April 4, from 5 to 7 p.m., the exhibition features four artists with diverse artistic practices and approaches: Elly Kalantari, Andrew Liang, Kristin Putchinski, and A. M. Zellhofer.

Faculty String Ensemble — Rush Hour Concert

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

Come and join us after work for a rush-hour concert when UMBC string faculty gather forces to present iconic string repertoire! Of the abundant string quintets that Luigi Boccherini wrote, the Quintet in D major, op. 40 No. 2 (G. 341) is one of the most renowned, with the exciting Fandango dance in the final movement. The quintet will be followed by Anton Dvořák's String Quartet No. 12 in F Major, op. 96 “American,” one of Dvořák’s most beloved and celebrated chamber works.

District5

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

Join the District5 wind quintet as they step into the shadowy musical world of “death.” This transformative program shines a light on the complexity, beauty, and fragility within a seemingly dark place. Seamlessly combining works from the Medieval era through present day, the concert features the powerful voices of composers such as Hildegard von Bingen, Carlo Gesualdo, Reena Esmail, and Esa-Pekka Salonen. Now in their 10th season, District5 is known for their creative and engaging programming.

Introduction to the Sustainable Production Toolkit with Lauren Gaston and Sandra Goldmark

Black Box Theatre

As part of the Spring 2024 Plays for Our Planet initiative, UMBC Theatre presents an Introduction to the Sustainable Production Toolkit with Lauren Gaston and Sandra Goldmark. Led by the authors of The Sustainable Production Toolkit, this talk and workshop introduces concrete tools and best practices for prioritizing the intertwined needs for greater environmental, social, and economic sustainability in the theatre industry.

Student Design Workshop with Lauren Gaston and Sandra Goldmark

Black Box Theatre

As part of the Spring 2024 Plays for Our Planet initiative, UMBC Theatre presents a Student Design Workshop with Lauren Gaston and Sandra Goldmark. Led by the authors of the Sustainable Production Toolkit, this session will give students an opportunity to dig deeper into sustainable design and production practices and resources. Working as a team, students will develop concrete action items based on one or two goals generated in the afternoon session.

Humanities Forum: Evelyn Barker Lecture with Sean D. Kelly

Albin O. Kuhn Library Gallery

In 1947, Martin Heidegger wrote what is now known as his “Letter on Humanism,” which is rich and revealing. At the center of the Letter stands a singular, pointed claim: that all previous “humanisms,” have failed to recognize the “proper dignity of human being.” Drawn from a book in progress, this talk by Sean D. Kelly of Harvard University will explore questions of our proper dignity, and the threat to it posed by the technological age. This event is part of the Spring 2024 Humanities Forum.

Strata: An Evening of Premieres

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The Strata ensemble returns to UMBC to present the premieres of five new works by UMBC student composers — Permafrost by Joshua Epstein, Phaistos by Pam Voulalas, Trials and Tribulations by Sarah Yuran, Sonder by D'Juan Moreland, and Radical by Vittoria Tchotche. 

Strata with Amy Sue Barston

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The Strata ensemble joins forces with cellist Amy Sue Barston in a program featuring Stomping Grounds (2015) by Karim Al-Zand (b. 1970) and Olivier Messiaen's timeless masterpiece Quatuor pour la fin du temps (Quartet for the End of Time), written while the composer was a prisoner of war in 1940–41.

Low Lecture with Kevin Dawson

Albin O. Kuhn Library Gallery

The annual Low Lecture features Kevin Dawson, associate professor of history at the University of California, Merced, who will speak on Liquid Motion: Canoeing and Surfing in Atlantic Africa and the Diaspora, 1444–1888. “Liquid Motion” examines how African women and men perceived, understood, and interacted with oceans and rivers through swimming, underwater diving, surfing, canoe-making, and canoeing. Africans inspire us to rethink assumptions about maritime history, by considering maritime traditions that Westerns lacked. Enslaved Africans carried these maritime traditions to the Americas, where they used them to benefit their exploited lives and enslavers exploited them to generate wealth. This event is part of the Spring 2024 Social Sciences Forum.

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