The “Seeing Science: Photography, Science, and Visual Culture” research forum examined imaging and visualization methods that support new scientific insights across diverse areas of research. Continue Reading “Seeing Science” research forum connects cells, space, and the senses
Baltimore’s history as the first U.S. city to be illuminated by gas lamps has inspired Light City Baltimore, a new festival in the Inner Harbor, March 28-April 3, with 1.5 miles of glowing public artworks, free music, a free UMBC hospitality space, and a six-day innovation conference, Light City U. Continue Reading UMBC heads to Light City Baltimore: festival of light, music, innovation
The Center for Art, Design and Visual Culture reaches audiences far beyond UMBC with dynamic touring exhibitions that explore issues of our times and inspire viewers to rethink how art institutions relate to the public. Continue Reading CADVC’s touring exhibits connect with audiences across the nation
Timothy Nohe, director of the Center for Innovation, Research and Creativity in the Arts (CIRCA) and visual arts professor, will introduce American audiences to the deeply woven human narrative of Botany Bay in his exhibition Sounding Botany Bay opening February 12 in the Albin O. Kuhn Library Gallery. Continue Reading Nohe exhibit presents shifting Australian landscape that illustrates humanity’s global impact
Hailed as “groundbreaking” by The Baltimore Sun’s David Zurawik, Revolution of the Eye: Modern Art and the Birth of American Television, the first exhibition to explore how avant-garde art influenced the look and content of network television in its formative years, is on view at the UMBC’s Center for Art, Design and Visual Culture (CADVC) through December 10. From the late 1940s to the mid-1970s, the pioneers of American television adopted modernism as a source of inspiration. Revolution of the Eye looks at how the dynamic new medium of television, in its risk-taking and aesthetic experimentation, paralleled and embraced cutting-edge… Continue Reading Groundbreaking Exhibition Revolution of the Eye Opens at the Center for Art, Design and Visual Culture
As part of an ongoing partnership with professional development schools, UMBC’s education department and Center for Art, Design and Visual Culture (CADVC) hosted Arbutus Middle School students and teachers on campus October 26 and Nov 2 to learn about environmental art and artists. During the program, students participated in an instructional session about artists Andy Goldsworthy and Scott Wade, learned about the elements of art, and defined terms such as ephemeral art and reverse graffiti, among other topic areas in environmental art. Students then learned about the process of creating nature journals, walked over to the Joseph Beuys Sculpture Park,… Continue Reading UMBC education department, CADVC partner with Arbutus Middle School on environmental art outreach
One of the things that makes UMBC great is how wonderful our alumni, students, faculty, and staff are. Because of these amazing people, UMBC often finds itself “in the news,” so each week, we’ll be sharing with you a round-up of the most newsworthy achievements from our community. Jeff Halverson, geography and environmental systems, talked to NPR’s Robert Siegel about the “inscrutability” of Hurricane Joaquin. Stephen E. Braude, professor emeritus and former department chair of philosophy, was interviewed for the new book REINCARNATION: Good News for Open-Minded Christians & Other Truth-Seekers. UMBC hosted the 18th Annual Undergraduate Research Symposium in… Continue Reading Roundup: UMBC in the News
In the latest essay for his Race Stories column in The New York Times, published September 17, Maurice Berger, research professor at the Center for Art, Design and Visual Culture, examines the work of photographer Marion Palfi and her relatively unknown photo book, There Is No More Time: An American Tragedy. “Juxtaposing portraits,” says Berger, “Ms. Palfi’s written observations and interview excerpts, There Is No More Time chronicles the many faces and viewpoints of white supremacy in Irwinton: the obedience to God and family; the religious and pseudoscientific justifications for believing that black people were inherently inferior; the resentment of outside intervention… Continue Reading Maurice Berger, CADVC, latest “Race Story” column in The New York Times
The exhibition Where Do We Migrate To?, organized by the Center for Art, Design and Visual Culture and curated by Niels Van Tomme, is traveling to Sweden, where it will open on Saturday, September 19, at the Värmlands Museum in Karlstad, remaing on display through February 22, 2016. The exhibition explores contemporary issues of migration as well as experiences of displacement and exile. Situating the contemporary individual in a world of advanced globalization, the artworks address how a multiplicity of migratory encounters demand an increasingly complex understanding of the human condition. As such, the exhibition allows multiple perspectives about its subject… Continue Reading CADVC’s “Where Do We Migrate To?” exhibition travels to Sweden
In the latest essay for his Race Stories column in The New York Times, Maurice Berger, research professor at the Center for Art, Design and Visual Culture, examines the research of photographers Martin Parr and Ruben Lundgren, whose exploration of Chinese photobooks has resulted in The Chinese Photobook, published by Aperture. Largely unknown in the West, the photobooks, dating from the early 20th century to current times, document a nation undergoing profound cultural change. “The sheer quantity of important Chinese photobooks that remain unexamined by scholars within and outside of the country suggests that considerable work remains to done,” says Berger. “In… Continue Reading Maurice Berger, CADVC, Latest “Race Story” in The New York Times
In the latest essay for his Race Stories column in The New York Times, Maurice Berger, research professor at the Center for Art, Design and Visual Culture, examines the shifting attitudes toward the Confederate battle flag. “The image was at once mundane and historic. In Alabama last Wednesday, on the order of Gov. Robert Bentley, workers took down the Confederate battle flag on the grounds of the state Capitol and were photographed as they did. The camera, whose role it was to record a reality — and thus to make visible its compelling details of the world — now documented a symbol’s imminent… Continue Reading Maurice Berger, CADVC, Latest “Race Story” in The New York Times
Maurice Berger, research professor and chief curator at the Center for Art, Design and Visual Culture, was interviewed by WYPR’s Culture Editor for Maryland Morning, Tom Hall, about Revolution of the Eye: Modern Art and the Birth of American Television, an exhibition now on display at the Jewish Museum in New York. Berger curated the exhibition, which has been co-organized by the CADVC and the Jewish Museum, and authored the companion book by the same name, published by Yale University Press. Revolution of the Eye is the first exhibition to explore how avant-garde art influenced and shaped the look and content of… Continue Reading Maurice Berger, CADVC, Discusses “Revolution of the Eye” on WYPR
