The Intermedia and Digital Arts Master's Program presents the Opening Reception for Not Grounded, the 2024 IMDA MFA Thesis Exhibition, featuring four artists with diverse artistic practices and approaches: Elly Kalantari, Andrew Liang, Kristin Putchinski, and A. M. Zellhofer.
Come and join us after work for a rush-hour concert when UMBC string faculty gather forces to present iconic string repertoire! Of the abundant string quintets that Luigi Boccherini wrote, the Quintet in D major, op. 40 No. 2 (G. 341) is one of the most renowned, with the exciting Fandango dance in the final movement. The quintet will be followed by Anton Dvořák's String Quartet No. 12 in F Major, op. 96 “American,” one of Dvořák’s most beloved and celebrated chamber works.
Join the District5 wind quintet as they step into the shadowy musical world of “death.” This transformative program shines a light on the complexity, beauty, and fragility within a seemingly dark place. Seamlessly combining works from the Medieval era through present day, the concert features the powerful voices of composers such as Hildegard von Bingen, Carlo Gesualdo, Reena Esmail, and Esa-Pekka Salonen. Now in their 10th season, District5 is known for their creative and engaging programming.
As part of the Spring 2024 Plays for Our Planet initiative, UMBC Theatre presents an Introduction to the Sustainable Production Toolkit with Lauren Gaston and Sandra Goldmark. Led by the authors of The Sustainable Production Toolkit, this talk and workshop introduces concrete tools and best practices for prioritizing the intertwined needs for greater environmental, social, and economic sustainability in the theatre industry.
As part of the Spring 2024 Plays for Our Planet initiative, UMBC Theatre presents a Student Design Workshop with Lauren Gaston and Sandra Goldmark. Led by the authors of the Sustainable Production Toolkit, this session will give students an opportunity to dig deeper into sustainable design and production practices and resources. Working as a team, students will develop concrete action items based on one or two goals generated in the afternoon session.
In 1947, Martin Heidegger wrote what is now known as his “Letter on Humanism,” which is rich and revealing. At the center of the Letter stands a singular, pointed claim: that all previous “humanisms,” have failed to recognize the “proper dignity of human being.” Drawn from a book in progress, this talk by Sean D. Kelly of Harvard University will explore questions of our proper dignity, and the threat to it posed by the technological age. This event is part of the Spring 2024 Humanities Forum.
The Strata ensemble returns to UMBC to present the premieres of five new works by UMBC student composers — Permafrost by Joshua Epstein, Phaistos by Pam Voulalas, Trials and Tribulations by Sarah Yuran, Sonder by D'Juan Moreland, and Radical by Vittoria Tchotche.
The Strata ensemble joins forces with cellist Amy Sue Barston in a program featuring Stomping Grounds (2015) by Karim Al-Zand (b. 1970) and Olivier Messiaen's timeless masterpiece Quatuor pour la fin du temps (Quartet for the End of Time), written while the composer was a prisoner of war in 1940–41.
The Department of Music presents a screening of the new film Deep Listening: The Story of Pauline Oliveros, a documentary project on the life and work of American icon Pauline Oliveros, directed by Daniel Weintraub.
The annual Low Lecture features Kevin Dawson, associate professor of history at the University of California, Merced, who will speak on Liquid Motion: Canoeing and Surfing in Atlantic Africa and the Diaspora, 1444–1888. “Liquid Motion” examines how African women and men perceived, understood, and interacted with oceans and rivers through swimming, underwater diving, surfing, canoe-making, and canoeing. Africans inspire us to rethink assumptions about maritime history, by considering maritime traditions that Westerns lacked. Enslaved Africans carried these maritime traditions to the Americas, where they used them to benefit their exploited lives and enslavers exploited them to generate wealth. This event is part of the Spring 2024 Social Sciences Forum.
Flutists Lisa Cella and Carrie Rose of the inHALE collective present a program of music for a variety of flutes by Giorgos Vavoulas, Alexandre Lunsqui, Caterina Calderoni, Mark Menzies, Carrie Rose, Allison Loggins-Hull, and Nathalie Joachim.
The annual Lipitz Lecture features Christine Mallinson, who will speak on "What Does Language Do and What Can We Do With It? " This event is part of the Spring 2024 Social Sciences Forum.
The Center for Innovation, Research, and Creativity in the Arts (CIRCA) presents Aisen Caro Chacin, who will discuss Assistive Device Art: Transformation of Ability and Perception, The Plasticity of the Mind, and Human Expansion.
The Department of Dance presents the annual First Works Concert, featuring new works by dance majors.
TRAXXX: Black Queer Nightlife in High Fidelity, featuring madison moore, Kristy la rAt and lighting by Artemis, is an invitation for you to come and catch the beat. Black queer dance floors have always served something else — a vibrant and vibrating antidote to the here and now. The most important clubs in Black queer nightlife history, from The Warehouse (Chicago) to Paradise Garage (New York) were known for serving ovah beats, guiding clubbers eager to ride waveforms to other dimensions. What do these frequencies of Black queerness make possible? The performance will include a conversation with artist and DJ Kristy la rAt and lighting by Artemis.
