The Department of Music presents renowned percussionist Aiyun Huang in a solo recital utilizing video and live electronics. Huang enjoys a musical life as soloist, chamber musician, researcher, teacher and producer, and has been globally recognized since winning the 2002 First Prize and Audience Prize of the Geneva International Music Competition.
In this Humanities Forum talk, Peabody and Emmy-award winning journalist Antonia Hylton will read from and discuss her recent book, Madness: Race and Insanity in a Jim Crow Asylum. Madness chronicles the 93-year history of Crownsville State Hospital, one of the last segregated asylums with surviving records and a campus that still stands to this day in Anne Arundel County, Maryland. Hylton traces the legacy of slavery to the treatment of Black people’s bodies and minds in our current mental healthcare system.
The Center for Innovation, Research, and Creativity in the Arts (CIRCA) presents artist Kelley Bell, who will present a talk entitled Projections, Inflatables, and Artistic Spectacles. An artist/designer/educator celebrated for creating vibrant projection mapping works on a grand scale and gallery installations that emphasize joy, community, and human connection, Bell will take us on a tour of her best, worst and wildest art adventures and discover how delight and imagination can lead to contemplation and meaningful interpersonal connection, and how art doesn’t have to be big or in the public eye to be spectacular.
The Intermedia and Digital Arts Master's Program presents the 2025 IMDA MFA Thesis Exhibition. Opening with a public reception on Thursday, March 27, from 5 to 7 p.m., the exhibition will feature works by students graduating from the program this spring.
The rapid evolution of tools like ChatGPT, Gemini, and Claude confronts us with urgent questions: How do we understand and use these tools? How might we integrate these technologies effectively? Where do we set the academic and ethical boundaries for their use? John G. Schumacher's talk, Generative AI and Higher Education: Practical Insights for Today and Tomorrow, will explore the current generative AI landscape, offering practical insights for educators and institutions.
The Shriver Hall Concert Series presents charismatic rising stars the Ivalas Quartet in a program of three works traversing the musical heavens. Osvaldo Golijov took inspiration for his poignant Tenebrae from a planetarium visit with his son. Sparked by a lecture on physics, Eleanor Alberga’s rich and spellbinding quartet explores the ideas of swirling particles and stargazing from outer space. Finally, the group infuses one of Beethoven’s final works with “tremendous heart and beauty” (The Strad).
The Center for Innovation, Research, and Creativity in the Arts (CIRCA) presents artist Melissa Hyatt Foss, an instrument-maker, musician, composer-performer, researcher, and teaching artist who develops artistic and educational projects that explore pre-Colonial sound artifacts of the Americas and their applications in contemporary art and music. Foss is the Maryland Traditions Artist-in-Residence at UMBC where she shared her tradition and practice with Linehan Artist Scholars students and is guiding them to develop teaching materials that will enable public school teachers to introduce the practice, history, and cultural significance of clay instrument making to their students.
UMBC Theatre presents John Proctor is the Villain by Kimberly Belflower, directed by Susan Stroupe. In a high school English class, a group of lively teens are studying “The Crucible” while navigating young love, sex education, and the founding of a feminist club. Holding a contemporary lens to the American classic, the kids uncover more than one school scandal and discover their own power in the process. Alternately touching and bitingly funny, this new comedy runs on pop music, fury, and the audacity of a new generation coming-of-age.
The mental health needs of people of color are largely invisible because they underutilize mental health services and are not the focus of research. Neuroscience data suggest that pragmatic, problem-solving approaches are the most personally relevant for Asian Americans, the least likely ethnic group to use mental health services. In this talk, Gordon Hall will discuss the development of the Mind Boba app to make psychotherapy more personally relevant and accessible to Asian Americans.
The Baltimore Classical Guitar Society presents classical guitarist David Russell, who is world renowned for his superb musicianship and inspired artistry, having earned the highest praise from audiences and critics alike. Russell appears regularly at prestigious halls in main cities such as New York, London, Tokyo, Los Angeles, Madrid, Toronto, and Rome. Russell received a Grammy award for his CD “Aire Latino” in the category of best instrumental soloist in classical music.
In this Humanities Forum talk, award-winning author Tommy Orange will converse with community-based visual artist and folklorist Ashley Minner Jones (Lumbee Tribe of North Carolina) about his recent novel, Wandering Stars. A follow-up to his bestselling debut, There There, Wandering Stars traces the legacies of the Sand Creek Massacre of 1864 and the Carlisle Indian Industrial School through three generations of a family.
Amber N. Mitchell will discuss the unique intersections of Black history, preservation, and memory that have presented opportunities and challenges in her career as a public historian and museum worker and look toward the future of African American storytelling in American public spaces.
The Department of Music presents the UMBC Wind Ensemble under the direction of Brian Kaufman.
Pianist Joel Sachs performs masterworks by Charles Ives, one of America’s greatest composers and one of the greatest modernists of the early 20th century. His rarely heard Piano Sonata No. 1 will be preceded by “The Alcotts” and “Thoreau,” the third and fourth movements of his more famous second Sonata, “Concord, Mass., 1840-1860,” a tribute to the literary giants of that little town. Taken together, these compositions offer an unforgettable view of Ives’s unique vision of music that is both universal and deeply American.
The Department of Music presents the UMBC Collegium Musicum under the direction of Lindsay Johnson. The Collegium Musicum explores and performs vocal and instrumental music from Medieval, Renaissance, and Baroque periods, sampling musical repertoires created between 800 and 1750.
