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Revisions: Celebrating 50 Years of the UMBC Photography Collections

Albin O. Kuhn Library Gallery

The Albin O. Kuhn Library Gallery presents Revisions: Celebrating Fifty Years of the UMBC Photography Collections, featuring highlights and lesser-known gems from UMBC’s considerable photography holdings. Looking back at a half-century of collecting, the exhibition offers thematic groupings and visual juxtapositions of photographs from the nineteenth century to the present. The display asks viewers to approach the history of photography with fresh eyes. Among the artists featured are Berenice Abbott, Diane Arbus, Cary Beth Cryor, Darryl Curran, Judy Dater, Robert Frank, Roland Freeman, Ralph Gibson, Lewis Hine, Lisette Model, and Alfred Stieglitz.

Levester Williams: all matters aside

Center for Art, Design and Visual Culture (CADVC)

The Center for Art, Design and Visual Culture presents the early-career survey Levester Williams: all matters aside, an exhibition curated by Lisa D. Freiman, professor of art history at Virginia Commonwealth University. The exhibition presents a selection of the Philadelphia-based conceptual sculptor’s work from the past decade, including sculpture, video, sound art, and installation.

Livewire 14: Resounding, featuring Annea Lockwood

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

Join us for UMBC’s 14th annual Livewire new music festival, an exploration of new sounds presented in six concerts over three days, October 24 to 26. Livewire 14: Resounding celebrates the work and completion of I Resound Press, an online archive of scores and recordings by women composers selected for their imagination, innovation and craft. Featured guest composer Annea Lockwood will interact with students and audiences in a variety of events, including a sound installation, public conversations, open rehearsals, and a concluding portrait concert of her recent works. Hub New Music, Sofia Kamayianni and Tim Ward, Caballito Negro, and the UMBC faculty contemporary ensemble Ruckus will present concerts including works from the I Resound archive by composers Rahilia Hasanova, Patricia Repar, Sofia Kamayianni, Linda Dusman, Anna Rubin, Lois V Vierk, Ruth Lomon, Caterina Calderoni, Jane Rigler, and Eleanor Hovda. Livewire 14 features premieres by Hasanova, Dusman, Alexandra Gardner, and others, including Sam Garrett, the commissioned alumnus composer for 2024.

Livewire 14: Caballito Negro + Friends

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The Cabalitto Negro ensemble, featuring Tessa Brinckman, flutes, and Terry Longshore, percussion, are joined by UMBC faculty Lisa Cella, flutes, and Dustin Donahue, percussion, for a concert of works by Emma O’Halloran, Jane Rigler, Will Rowe, Stuart Saunders Smith, and featuring the East Coast premiere of Birds, Bees, Electric Fish by Juri Seo.

Livewire 14: A Conversation with Annea Lockwood

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The Livewire 14: Resounding new music festival presents A Conversation with Annea Lockwood, in which the composer will discuss her life and works with Linda Dusman, professor of music at UMBC.

Livewire 14: Annea Lockwood Portrait Concert

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

The final event of the Livewire 14: Resounding new music festival presents the work of featured New Zealand-born American composer Annea Lockwood, who brings vibrant energy, ceaseless curiosity, and a profound sense of openness to her music. Lockwood’s lifelong fascination with the visceral effects of sound in our environments and through our bodies — the way sounds unfold and their myriad “life spans” — serves as the focal point for works ranging from concert music to performance art to multimedia installations.

Humanities Forum — Dagmawi Woubshet

Albin O. Kuhn Library Gallery

The annual Daphne Harrison Lecture features Dagmawi Woubshet, Edmund J. and Louise W. Kahn Endowed Term Associate Professor, English, University of Pennsylvania, who will speak on James Baldwin and the Art of Late Style. James Baldwin has come back with full force in our era of Black Lives Matter. In the 100 years since his birth, he has become the most cited literary artist—living or dead—on matters of race on social media since the Ferguson Uprising, his words deployed to expose white power and innocence and to express black rage and ethics. Decades after his death, the fact that Baldwin’s words ring loud and true today not only testifies to his genius, but also offers an indictment of an America that continues to disparage, torture, and murder black people with impunity.

Stupid F*cking Bird

Proscenium Theatre

UMBC Theatre presents Stupid F*cking Bird by Aaron Posner, sort of adapted from The Seagull by Anton Chekhov, with songs by Aaron Posner and James Sugg, directed by Gerrad Alex Taylor. In this irreverent, contemporary, and very funny remix of Chekhov’s The Seagull, Aaron Posner stages a timeless battle between young and old, past and present, art and life. Stupid F*cking Bird will tickle, tantalize, and incite you to consider how art, love, and revolution fuel your own pursuit of happiness.

Special Collections Open House — A haunting Halloween afternoon!

Albin O. Kuhn Library & Gallery — Special Collections

Mark your calendars for a haunting Halloween afternoon of apparitions, psychic phenomenon, thoughtography and cartomancy in Special Collections and the Library Gallery! Special Collections will host an Open House from 12–3 p.m. on Thursday, October 31! Drop by the reading room to view selected highlights from the Eileen J. Garrett Parapsychology Foundation collection, such as early Spiritualist texts, séance recordings, divination tools, and Gef the Talking Mongoose. You’ll also see how students and researchers use these items in their original scholarship.

Humanities Forum — Adrian De Leon

Albin O. Kuhn Library Gallery

In this Humanities Forum talk, Adrian De Leon, Assistant Professor, History, New York University, discusses Diaspora’s Boondocks: Hinterlands in Filipino American History. How were the native people from the margins of empire, from Christianized lowlands peasants to sovereign indigenous people in the mountainous highlands, thrust into the center of late Spanish and American imperial projects of race-making across the Pacific? In this talk, Adrian De Leon re-routes the history of Filipino American migration to its indigenous roots in the bundok (Tagalog: the hinterland) of Northern Luzon.

Juan Sebastián Delgado: Imaginary Tangos

216 Performing Arts and Humanities Building

The Center for Innovation, Research, and Creativity in the Arts (CIRCA) presents cellist Juan Sebastián Delgado, faculty fellow for diversity in the arts, who will discuss Imaginary Tangos: Research, improvisation, and performance practice in contemporary tango music. In this talk, he will discuss and analyze different works featuring the cello by prominent living composers that showcase a distinctive style, musical narrative, and contemporary practices.

Inscape Chamber Orchestra

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert HallCatonsville, MD, United States

Inscape, praised by The New York Times, as "brilliant," performs a program featuring Dmitri Shostakovich's Chamber Symphony, Paul Hindemith's Mathis der Maler (arranged for chamber orchestra), and Osvaldo Golijov's Tenebrae.

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