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In an abstract looking black and white photo, crystal forms are stacked on top of one another.

Archive 192: Abstract Photographs by Women

Albin O. Kuhn Library Gallery

The Albin O. Kuhn Library Gallery presents Archive 192: Abstract Photographs by Women, featuring works by Sara Angelucci, Claudia Fáhrenkemper, Jennifer Garza Cuen, Sage Lewis, Claire A. Warden, and others. This exhibition presents a selection of objects from Archive 192, an independent archive dedicated to preserving and celebrating abstractionist works by women photographers. The prints on view survey the array of photographic processes and diverse techniques of abstraction employed by photographers over the past century. Related ephemera, including publications, artist books, and posters document the evolution of abstractionism in photography and political movements that impact women working within the medium.

Mounds of black and gray sand and small rocks in front of a muted blue sky.

Conflux: Variation

Fine Arts Building Amphitheatre

The Center for Art, Design, and Visual Culture launches its 2025 program with Conflux: Variation (2025) by Baltimore-region artist collective Collis Donadio. This public video art projection, showing nightly in the Fine Arts Building Amphitheatre, explores the intersections of industry and the environment in Baltimore, where water meets land.

A portrait of flutist Nicole Mitchell. A Black woman, she wears a colorful outfit, holds a flute, and sits on the hood of a truck.

UMBC Jazz Ensemble with Nicole Mitchell

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert Hall, Catonsville

The UMBC Jazz Ensemble under the direction of Matt Belzer performs with guest artist Nicole Mitchell for a fabulous evening of jazz. An award-winning creative flutist, conceptualist and composer, Mitchell emerged from Chicago’s creative music community in the 90s, and was the former first woman president of the Association for the Advancement of Creative Musicians (AACM). With an impressive 15 year run (2010–2024) as “Top Flutist of the Year” by both Downbeat Magazine Critics Poll and the Jazz Journalists Association, she is celebrated for her development of a unique improvisational language on the flute. 

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