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In an abstract looking black and white photo, crystal forms are stacked on top of one another.

Archive 192: Abstract Photographs by Women

Albin O. Kuhn Library Gallery

The Albin O. Kuhn Library Gallery presents Archive 192: Abstract Photographs by Women, featuring works by Sara Angelucci, Claudia Fáhrenkemper, Jennifer Garza Cuen, Sage Lewis, Claire A. Warden, and others. This exhibition presents a selection of objects from Archive 192, an independent archive dedicated to preserving and celebrating abstractionist works by women photographers. The prints on view survey the array of photographic processes and diverse techniques of abstraction employed by photographers over the past century. Related ephemera, including publications, artist books, and posters document the evolution of abstractionism in photography and political movements that impact women working within the medium.

Mounds of black and gray sand and small rocks in front of a muted blue sky.

Conflux: Variation

Fine Arts Building Amphitheatre

The Center for Art, Design, and Visual Culture launches its 2025 program with Conflux: Variation (2025) by Baltimore-region artist collective Collis Donadio. This public video art projection, showing nightly in the Fine Arts Building Amphitheatre, explores the intersections of industry and the environment in Baltimore, where water meets land.

A person with a light skin tone, brown hair and blue eyes, smiles at the camera while pulling a turtleneck up toward their chin.

Tatiana Mann: Find Your Why

216 Performing Arts and Humanities Building

In Find Your Why, presented by the Center for Innovation, Research, and Creativity in the Arts (CIRCA), Tatiana Mann will lead us to explore why we engage with our disciplines, what informs our decisions and how to light our creative fire to fuel our future success. As artists and humanists, why do we choose our career paths? Because of lucrative remuneration (supported by plentiful research grants) and a lavish lifestyle (afforded by sleepless nights working several jobs)? In pursuit of quixotic research, prestigious performances, exhibitions, publications, and accolades? Or do we choose to do what we do because at some point we couldn’t imagine a life without art, or without investigating humanity’s larger questions?

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