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DTSTART;TZID=America/New_York:20260324T170000
DTEND;TZID=America/New_York:20260324T183000
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SUMMARY:Zoë Charlton: Third Watch
DESCRIPTION:The Center for Innovation\, Research\, and Creativity in the Arts (CIRCA) presents artist Zoë Charlton\, who will speak about the process behind creating Third Watch\, her new public art work featuring illuminated sculptures depicting three pregnant female figures\, inspired by African traditions. The three figures installed at the top of the North Avenue Market in Baltimore watch over the neighborhood and are meant to invoke a sense of peace\, protection\, and light\, qualities that the community hopes to embrace as it moves forward after years of struggle. Third Watch was made possible through a commission from the Inviting Light Initiative funded by Bloomberg Philanthropies to help revitalize the Station North Arts and Entertainment District. Charlton will be joined by Adam Nelson and Peter Karis from Paradise Labs\, the team that she worked with to fabricate the work. \n\nAdmission is free\, but attendees are encouraged to RSVP in advance. \n\nZoë Charlton builds a visual language of assembly through drawing\, collage\, installation\, and animation as ways to bring fragments of history into conversation. Her work explores how identity\, place\, and material culture converge in the figure\, where personal inheritance and memory meet. Across large-scale graphite drawings and layered paper constructions\, she maps the relationship between body and landscape\, inheritance and visibility. Each work becomes a kind of ledger as an account of how objects and histories carry us\, how the past lingers in gesture and surface. Charlton is a Professor of Art and Director of the School of Art at George Mason University\, where she cultivates a culture of care\, inquiry\, and shared leadership within the arts in higher education. From 2003 to 2022\, Charlton taught full-time at American University in Washington\, D.C.\, where she earned tenure in 2009\, chaired the Department of Art (2015–2018)\, and became the first Black American tenured Full Professor in the department. Charlton’s practice extends beyond the studio into collective forms of making and leading. She co-founded ‘sindikit (2016–2022)\, an artist initiative that investigated intersections of art\, gender\, sexuality\, race\, and their economies\, and co-launched as a founding member\, Kindred CRAFT (Kindred Creative Residence + Agro-ForesT) (2022–23)\, a BIPOC and LGBTQIA+–led arts and ecology collective in Vermont. Her work has been exhibited nationally and internationally and is held in public collections including The Phillips Collection\, Crystal Bridges Museum of American Art\, the Baltimore Museum of Art\, and the Studio Museum in Harlem. A recipient of Pollock-Krasner and Rubys Grants\, she has also served in public arts leadership roles\, holding two terms on the Maryland State Arts Council (2017–2023) and the Washington Project for the Arts (2018-2025)\, and currently sits on the board of Threewalls\, and serves as a trustee at The Phillips Collection. \n\nParadise Labs is a team of makers\, creators\, and problem-solvers specializing in museum\, zoo\, aquarium exhibit design\, as well as medical simulation assemblies and limited run manufacturing. With decades of experience\, they craft immersive exhibits that inspire curiosity\, spark wonder\, and connect people with the natural world. Whether it’s building larger-than-life sculptures\, crafting intricate habitats\, or designing hands-on interactive experiences\, Paradise Labs believe in the power of storytelling through design. \n\nImage: Zoë Charlton\, Third Watch\, photo by Side A Photography. \n 
URL:https://umbc.edu/event/zoe-charlton-third-watch/
LOCATION:Fine Arts Recital Hall\, MD
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/SideAPhotography_IL_ThirdWatch_3.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260311T193000
DTEND;TZID=America/New_York:20260311T213000
DTSTAMP:20260206T173521Z
CREATED:20260128T163848Z
LAST-MODIFIED:20260206T173521Z
UID:10001126-1773257400-1773264600@umbc.edu
SUMMARY:Ruckus
DESCRIPTION:The Department of Music presents RUCKUS\, the faculty new music ensemble at UMBC\, in a concert that highlights the work of pivotal American composer George Lewis. Working with Lewis in residence at UMBC\, RUCKUS explores the striking breadth of his work from the elegiac intensity of Signifying Riffs to the haunting\, ecstatic sound world of Hexis. Flutist Lisa Cella presents the world premiere of Lewis’s Dark Matter for solo bass flute and live electronics. Two raucous\, virtuosic works by Viet Cuong and David Lang complete an eclectic portrait of American music in the 21st century: \n\nGeorge Lewis — Hexis\nGeorge Lewis — Dark Matter\nGeorge Lewis — Signifying Riffs\nDavid Lang — these broken wings\nViet Cuong — Fine Lines\n\nWith a mission to champion new and innovative works\, RUCKUS is dedicated to supporting innovative artists and early-career composers through commissions and collaboration. RUCKUS works directly with students working toward the Certificate in American Contemporary Music\, often performing alongside these students and mentoring their creative work. Each year\, the ensemble co-hosts the Livewire Festival\, bringing guest artists and other ensembles from around the world to Baltimore for a weekend of cutting-edge contemporary music. \nRUCKUS features Lisa Cella\, flute; Airi Yoshioka\, violin; Juan Sebastián Delgado\, cello; Liana Harron\, piano; Dustin Donahue\, percussion; and Philip Mann\, conductor. \n\n$15 general admission\, $10 seniors\, $5 students. Please visit here to reserve seats. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n\n\nThis event is supported in part by the Arts+ initiative. \n  \n 
URL:https://umbc.edu/event/ruckus-2/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
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DTSTART;TZID=America/New_York:20260309T190000
DTEND;TZID=America/New_York:20260309T203000
DTSTAMP:20260302T220712Z
CREATED:20260126T201918Z
LAST-MODIFIED:20260302T220712Z
UID:10001116-1773082800-1773088200@umbc.edu
SUMMARY:Humanities Forum — Hanna Pickard
DESCRIPTION:Evelyn Barker Memorial Lecture with Hanna Pickard\nWhat Would You Do Alone in a Cage with Nothing but Cocaine? A Philosophy of Addiction\nThis event\, rescheduled from February 23\, is part of the Spring 2026 Humanities Forum \nAddiction science is at an impasse. Rates of addiction remain high. Translational results from decades of research conducted within the dominant brain disease paradigm are shockingly meager. Meanwhile\, theories of addiction multiply and compete\, fomenting disagreement about something as apparently simple as how addiction should be defined. Ultimately the cost of this impasse is borne by people with addiction themselves. Drawing on philosophy together with sources ranging from the history of the science of animal models to the voices of people who live with addiction\, Hanna Pickard presents a new paradigm that shifts our gaze away from a broken brain and onto the psychology and humanity of people who struggle with drugs. \nHanna Pickard is Bloomberg Distinguished Professor of Philosophy and Bioethics and Krieger-Eisenhower Professor at Johns Hopkins University. \n\nAdmission is free\, but reservations are encouraged. A reception will follow. \n\nThe Evelyn Barker Memorial Lecture is presented by the Department of Philosophy and the Center for Ethics and Values\, and is co-sponsored by Dresher Center for the Humanities\, the Center for Public Health Research\, and the Human Context of Science & Technology Program. \n 
URL:https://umbc.edu/event/humanities-forum-hanna-pickard-what-would-you-do-alone-in-a-cage-with-nothing-but-cocaine-a-philosophy-of-addiction/
LOCATION:Fine Arts Recital Hall\, MD
CATEGORIES:All Events,Arts and Culture,Humanities
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Hanna-Pickard-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260308T150000
DTEND;TZID=America/New_York:20260308T163000
DTSTAMP:20260223T205108Z
CREATED:20260223T205108Z
LAST-MODIFIED:20260223T205108Z
UID:10001188-1772982000-1772987400@umbc.edu
SUMMARY:Sérgio and Odair Assad\, classical guitar — Farewell Tour
DESCRIPTION:The Baltimore Classical Guitar Society presents Brazilian-born brothers Sérgio and Odair Assad\, who have created a new standard of guitar innovation\, ingenuity\, and expression. Their exceptional artistry and uncanny ensemble-playing rooted in a family rich in Brazilian musical tradition and studies under guitarist/lutenist Monina Távora\, a disciple of Andrés Segovia. Their virtuosity has inspired a wide range of composers to write for them\, including Astor Piazzolla\, Terry Riley\, Radamés Gnattali\, Marlos Nobre\, Nikita Koshkin\, Roland Dyens\, Jorge Morel\, Edino Krieger\, and Francisco Mignone. Sérgio Assad has expanded their repertoire by composing works for the duo\, as well as for various musical partners\, both in recital and with symphony orchestra. \nThey have worked extensively with renowned artists such as Gidon Kremer\, Dawn Upshaw\, Turtle Island String Quartet\, Yo-Yo Ma\, and Nadja Salerno-Sonnenberg. Odair is based in Brussels\, where he teaches at Ecole Supérieure des Arts\, while Sérgio resides in Chicago. The brothers launched their international career after winning the 1979 Young Artists Competition in Bratislava. Their diverse repertoire spans folk\, jazz\, Latin\, and classical transcriptions of Bach\, Rameau\, Scarlatti\, Gershwin\, Ginastera\, and Debussy. Sérgio premiered his concerto Phases with the Seattle Symphony\, and they have performed with major orchestras worldwide. Highlights include a 2004 multi-generational Assad family tour\, soundtrack features\, collaborations with Paquito D’Rivera\, Romero Lubambo\, Yo-Yo Ma\, and recordings on Nonesuch and GHA that earned Latin Grammy awards. In 2015\, they received the Guitar Foundation of America’s Lifetime Achievement Award. In the 2025–2026 season\, Sérgio and Odair Assad will celebrate their 60th anniversary as a duo. Their concert in Baltimore is part of their Farewell Tour. \n\nTickets are $45 and $50 and are available through the Baltimore Classical Guitar Society. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/sergio-and-odair-assad-classical-guitar-farewell-tour/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/02/Sergio-and-Odair-Assad.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260307T183000
DTEND;TZID=America/New_York:20260307T213000
DTSTAMP:20260206T173657Z
CREATED:20260126T185652Z
LAST-MODIFIED:20260206T173657Z
UID:10001114-1772908200-1772919000@umbc.edu
SUMMARY:Susie Ibarra: Rhythm in Nature
DESCRIPTION:The Center for Innovation\, Research\, and Creativity in the Arts (CIRCA) presents Filipinx-American composer\, percussionist\, and sound artist Susie Ibarra\, who will present her groundbreaking work at UMBC in a concert\, spatial audio installation\, and workshop. Ibarra’s interdisciplinary practice focuses on strengthening connections to the natural environment and advocating for stewardship through sound. Ibarra’s work calls upon Asian percussive traditions\, jazz sensibilities\, as well as on her extensive study in a wide range of interests\, including improvisation\, sonic mapping\, and artistic intervention for societal transformation. The concert will include performances by UMBC music students and faculty. \n\nSusie Ibarra creates immersive experiences through sound to invite people to connect to their natural and built environments. Her Pulitzer Prize winning work Sky Islands is a musical call to action\, highlighting the endangered rainforests of her home region of Luzon\, Philippines\, with the aim of connecting people to our fragile and beautiful ecosystems and to draw awareness to changing climate and global community practices. Sky Islands was commissioned by the Asia Society in 2022 and had its world premiere in 2024\, with additional support from the Fromm Music Foundation and the New York Foundation for the Arts Anonymous Was A Woman Environmental Art Grant. Ibarra works to support Indigenous and traditional music cultures\, including Musika Katatube from the Philippines and leads several ensembles\, including Talking Gong Trio with Claire Chase and Alex Peh. She has recorded over forty albums and has performed around the world\, including at the 2012 Olympics in London\, as part of the 2013 Sharjah Biennial\, and at Carnegie Hall. Ibarra has received numerous awards and fellowships\, including a Creative Capital Artist Award (2025)\, Callie’s Studio Residency in Berlin (2025)\, DAAD Artists-in-Berlin Program Fellowship (2024-25)\, the Charles Ives Fellowship (2024) with the American Academy of Arts and Letters\, the Foundation for Contemporary Arts Music Fellowship (2022)\, a United States Artists Fellowship (2019)\, a Doris Duke United States Artist Fellow in Music (2019)\, the National Geographic Explorers Storyteller Award (2020)\, and a TED Senior Fellowship (2014). Ibarra is the founder of Susie Ibarra Studio and\, with artist-musician and engineer Jake Landau\, co-founded the label and publisher Habitat Sounds. Her book Rhythm in Nature: An Ecology of Rhythm was published by Habitat Sounds in 2024. She is a Yamaha\, Zildjian\, and Vic Firth Drum Artist. \n\nA spatial audio installation will open at 6:30\, followed by a concert at 7:30. \nAdmission is free\, but tickets are required. Please visit here to reserve seats. \n\nLinehan Concert Hall is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n\nPhoto by Rajesh Kumar Singh. \n\n\nThis event is funded in part by the Arts+ Initiative and the College of Arts\, Humanities\, and Social Sciences\, with additional support from the Global Asias Initiative. \n 
URL:https://umbc.edu/event/susie-ibarra-rhythm-in-nature/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Susie-Ibarra-by-Rajesh-Kumar-Singh.jpeg
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DTSTART;TZID=America/New_York:20260307T140000
DTEND;TZID=America/New_York:20260307T153000
DTSTAMP:20260223T215820Z
CREATED:20260223T215820Z
LAST-MODIFIED:20260223T215820Z
UID:10001191-1772892000-1772897400@umbc.edu
SUMMARY:Maryland All State Senior Jazz Band
DESCRIPTION:The Maryland Music Educators Association presents the All State Senior Jazz Band. Students from across the state will be selected to participate in this concert by audition\, and students from multiple county schools will be represented. \n\nTickets for this event are sold through the Maryland Music Educators Association. Please visit here for additional information. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/maryland-all-state-senior-jazz-band/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/png:https://umbc.edu/wp-content/uploads/2026/02/2026-All-State-Logo-Horizontal-Black-and-Gold-.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260306T193000
DTEND;TZID=America/New_York:20260306T213000
DTSTAMP:20260217T211404Z
CREATED:20260217T211404Z
LAST-MODIFIED:20260217T211404Z
UID:10001178-1772825400-1772832600@umbc.edu
SUMMARY:UMBC Faculty Jazz Ensemble
DESCRIPTION:The Department of Music presents the UMBC Jazz Faculty Ensemble\, featuring saxophonist Matt Belzer\, bassist Tom Baldwin\, and drummer Mark Merella. They will be joined by UMBC student Leo Hickman on mandolin. The ensemble will perform modern interpretations of classic and recent jazz compositions. \n\n$15 general admission\, $10 seniors\, $5 students. Please visit here to reserve seats. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/umbc-faculty-jazz-ensemble/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/png:https://umbc.edu/wp-content/uploads/2026/02/Faculty-Jazz-Collage.png
GEO:39.255760007248;-76.715719439268
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260228T140000
DTEND;TZID=America/New_York:20260228T160000
DTSTAMP:20260127T190307Z
CREATED:20260127T190307Z
LAST-MODIFIED:20260127T190307Z
UID:10001122-1772287200-1772294400@umbc.edu
SUMMARY:Creative Convergence: A Conversation with a Conductor and Curator
DESCRIPTION:The Center for Art\, Design\, and Visual Culture (CADVC) presents Creative Convergence: A Conversation with a Conductor and Curator. In this event\, curator Maleke Glee and conductor Philip Mann will explore the shared and divergent philosophies that shape conducting and curating as creative practices. This interdisciplinary discussion invites artists across all mediums to engage in a collective dialogue on leadership\, interpretation\, collaboration\, and creative process. \nThis event is offered as part of absolute alternatives\, the 2026 Arts+ UMBC Faculty Exhibition\, curated by Maleke Glee\, on view at the CADVC through February 28. \n\nHailed by the BBC as a “talent to watch out for\, who conveys a mature command of his forces\,” American conductor Philip Mann is internationally recognized as an expressively graceful yet passionate artist whose work spans symphonic repertoire\, opera\, contemporary music\, and innovative collaborations. A Rhodes Scholar\, he was awarded the Vienna Philharmonic’s Karajan Fellowship at the Salzburg Festival and named an American Conducting Fellow with the League of American Orchestras. Mann is assistant professor of music at UMBC. \nMaleke Glee is a cultural worker\, curator\, writer\, and professor whose practice explores the intersections of popular culture\, vernacular expression\, and fine art. His writing has appeared in books\, exhibition catalogues\, and arts journalism\, and his curatorial and leadership work includes posts with the Banneker-Douglass-Tubman Museum\, STABLE Arts\, and The Studio Museum in Harlem. \n\nVisitor Information \nAdmission to the exhibition and all public programs is free. The CADVC is open Wednesday and Thursday from 12 p.m. to 5 p.m.\, and on Friday and Saturday from 10 a.m. to 5 p.m. \nParking is free during evening and weekend hours\, and metered parking is available other times. Please visit here for directions and parking information. \nVisitors who need any specific accommodations should contact CADVC at cadvc@umbc.edu or 410-455-3188 as soon as possible. \n\nPhoto of Philip Mann by Nancy Nolan. \n\n\nThis event is supported in part by the Arts+ initiative. \n 
URL:https://umbc.edu/event/creative-convergence-a-conversation-with-a-conductor-and-curator/
LOCATION:Center for Art\, Design\, and Visual Culture (CADVC)
CATEGORIES:All Events,Arts and Culture,Music,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Philip-Mann-Formal-credit-Nancy-Nolan-1-768x688-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260227T193000
DTEND;TZID=America/New_York:20260227T213000
DTSTAMP:20260217T205934Z
CREATED:20260217T205934Z
LAST-MODIFIED:20260217T205934Z
UID:10001177-1772220600-1772227800@umbc.edu
SUMMARY:UMBC Jazz Ensemble with Vince Cherico
DESCRIPTION:The UMBC Jazz Ensemble under the direction of Matt Belzer performs with Grammy award-winning percussionist Vince Cherico in a concert celebrating Latin jazz. \nVince Cherico is a featured drummer in many of today’s jazz and world music venues. From 2014 to 2016\, Cherico won 5 Grammy Awards\, starting with the 2014 Latin Grammy for Final Night at Birdland\, with The Chico O’Farrill Afro-Cuban Jazz Orchestra for Best Instrumental Recording; a 2015 Grammy for The Offense of The Drum with The Afro Latin Jazz Orchestra for Best Latin Jazz Album; later in 2015 a 4th Grammy for the Latin Grammy’s Best Latin Children’s Album for Los Animales with Mister G.; and in 2016 a 5th Grammy Award for Best Latin Jazz Album for his performance with The Afro Latin Jazz Orchestra’s recording of Cuba: The Conversation Continues. \nCherico teaches privately in his own New York City studio\, and is also on the Faculty of The Drummers Collective\, The Queens College Jazz Masters Program and is a music associate at The Columbia University Jazz Program. As a guest artist/instructor\, Cherico has led ensembles for The Xalapa Seminario de Jazz\, The Fairbanks Summer Arts Festival\, The University of Alaska\, Anchorage Jazz Festival\, the University of Alaska\, Fairbanks Jazz Festival\, and The University of Maine Salsa Festival. \n\n$15 general admission\, $10 seniors\, $5 students. Please visit here to reserve seats. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/umbc-jazz-ensemble-with-vince-cherico/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/02/Vince-Cherico.jpeg
GEO:39.255760007248;-76.715719439268
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DTSTART;TZID=America/New_York:20260227T120000
DTEND;TZID=America/New_York:20260227T130000
DTSTAMP:20260123T212856Z
CREATED:20260123T212856Z
LAST-MODIFIED:20260123T212856Z
UID:10001113-1772193600-1772197200@umbc.edu
SUMMARY:Eric Clark Jackson: An Iconography of the Chesapeake
DESCRIPTION:The Center for Innovation\, Research\, and Creativity in the Arts (CIRCA) presents a talk by Eric Clark Jackson\, an artist who explores the intersection of ecology and materiality\, using fiber-based processes to construct an iconography of the Chesapeake Bay and Mid-Atlantic region. Jackson is the 2026 Maryland Traditions Artist-in-Residence. In this presentation\, he will provide an overview of his meticulous and process-oriented practice\, typically combining wildlife illustration with fiber arts in large scale explorations of place. Through a slow\, iterative\, and holistic process\, he creates scientifically accurate illustrations that also spark stories. His work invites the viewer to share their own stories about the species depicted: The one that got away. The last cast. The shot at last light. Jackson will share his tradition and practice with UMBC’s Linehan Artist Scholars over six sessions\, and will collaborate with them on a public workshop and demonstration for children in the local community. \n\nEric Clark Jackson is on the teaching faculty of St. Mary’s College of Maryland\, a national public honors college (and his alma mater)\, and the College of Southern Maryland\, where he teaches coursework in 2D media and material studies. His teaching involves a research-based pedagogy rooted in choice-based methodologies\, encouraging his students to make meaning through self-directed decisions and media choices. He partners regularly with conservation organizations across the region\, from local initiatives with Riverkeepers and watershed groups through partnerships with national changemakers including the Chesapeake Bay Foundation and the Alliance for the Chesapeake. Jackson is the recipient of multiple state grants from the Maryland State Arts Council\, Baltimore Office of Promotion and the Arts\, local arts councils\, and numerous conservation organizations. He regularly presents his work through many of the state-affiliated regional folklife and heritage centers in the region as well. His work is in the permanent collection of the Chesapeake Bay Maritime Museum\, the Museum of Eastern Shore Culture\, and Annmarie Sculpture Garden and Arts Center\, as well as in the collections of multiple past corporate sponsors. \n\nAdmission is free\, and a lunch will be served. Please RSVP for the lunch by February 20. \n\nImage: Eric Clark Jackson\, Striped Bass\, Potomac River Buoy 3. \n 
URL:https://umbc.edu/event/eric-clark-jackson-an-iconography-of-the-chesapeake/
LOCATION:216 Performing Arts and Humanities Building
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/striped-bass-2024-1024x498-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260226T160000
DTEND;TZID=America/New_York:20260226T180000
DTSTAMP:20260123T175252Z
CREATED:20260123T175252Z
LAST-MODIFIED:20260123T175252Z
UID:10001112-1772121600-1772128800@umbc.edu
SUMMARY:Nikki Ann Hartman — Stages of Becoming: Putting Myself Together with Doll Parts…
DESCRIPTION:The Center for Innovation\, Research\, and Creativity presents multi-disciplinary theatre artist Nikki Ann Hartman\, who will discuss “Stages of Becoming: Putting Myself Together with Doll Parts…” The afternoon will feature a dramatic reading of Doll Parts…\, a one-[trans]-woman show by Hartman\, followed by an open discussion Q&A session with the playwright. \nDoll Parts… is a one-[trans]-woman show about memory\, remembering\, and transitioning as an older woman. Taking place in the present\, Doll Parts… follows Nikki as she discovers her true self in the midst of hormone-therapy-induced puberty\, dating\, menopause\, and surgically transitioning her gender in her 60’s. Set against the rapidly shifting American political landscape—a time of increased and deeply-held anti-trans sentiment\, Doll Parts… looks at living an authentic life even if it has to be as a sacred act of rebellion. Balanced with humor\, a touch of the divine\, and an overwhelming joie de vivre\, Doll Parts… explores our connected humanity while confronting the inherent biases and social constructs we seem all too willing to accept. At a time where it is once again dangerous to live as a trans person\, Doll Parts… gives voice to the joys\, setbacks\, and dreams of an aspiring\, though clearly targeted\, community. \nNikki Hartman (UMBC associate professor of theatre) is a multi-disciplinary theatre artist who has been directing\, writing\, acting\, and producing theatre for more than four decades. A SDC Union theatre director with interests in the Theatre of Social Conscience\, Magical Realism\, Solo Performance\, and Farce\, Hartman was the Founding Artistic Director of The People’s Repertory Theatre Company\, a company dedicated to Theatre of Social Action. A certified Meisner Acting Teacher\, Hartman also teaches and directs for the Munich Film Akademie in Munich\, Germany. Notable directing credits include: the multiple award-winning productions of Diana Son’s Stop Kiss and Michael Frayn’s Noises Off!\, the world-premiere of Susan McCully’s delicious farce Voracious\, David Auburn’s Proof\, Melanie Marnich’s These Shining Lives\, Sarah Ruhl’s Eurydice\, and Jessica Dickey’s The Amish Project with the Munich Film Akademie in Munich\, Germany. A recipient of a 2026 Voxel Artist-in-Residence\, Hartman’s play\, Doll Parts…\, will make its world-premiere in July 2026\, at The Voxel Theatre in Baltimore. \n\nAdmission is free. Please RSVP here in advance. \n 
URL:https://umbc.edu/event/nikki-ann-hartman-stages-of-becoming-putting-myself-together-with-doll-parts/
LOCATION:Black Box Theatre
CATEGORIES:All Events,Arts and Culture,Theatre
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Doll-Parts_6x6_300DPI-768x768-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260226T160000
DTEND;TZID=America/New_York:20260226T173000
DTSTAMP:20260217T220156Z
CREATED:20260217T220156Z
LAST-MODIFIED:20260217T220156Z
UID:10001179-1772121600-1772127000@umbc.edu
SUMMARY:Melanie Killen — Creating Inclusive Classrooms in Childhood: Theory\, Research\, and Applications
DESCRIPTION:The Social Sciences Forum presents a lecture by Melanie Killen\, Distinguished University Professor in the Department of Human Development and Quantitative Methodology at the University of Maryland\, College Park\, who will speak on Creating Inclusive Classrooms in Childhood: Theory\, Research\, and Applications. \nDevelopmental science perspectives on social exclusion provide a window into determining how to reduce social inequalities and increase positive social relationships. Children begin to understand concepts of fairness and equality early and recognize that social groups often exclude others for unfair reasons. Challenging groups to be more inclusive is costly\, however\, and may result in exclusion from their group which provides protection\, safety\, and enjoyment. Facilitating positive cross-group friendships helps reduce “in-group vs. out-group” attitudes which are a salient part of why biases form in the first place. The negative consequences of experiencing social exclusion based on group identity include depression\, anxiety\, and social withdrawal. This necessitates action to promote healthy child development and a more inclusive society. In this talk\, Killen will discuss her recent research findings on children’s viewpoints about fairness and social exclusion. Then she will discuss their school-based program called Developing Inclusive Youth. Her team is currently creating an AI-powered Teacher App to accompany the program\, which she will describe during the talk. \n\nAdmission is free. \n\nThis event is hosted by the Department of Psychology and co-sponsored by the Center for Social Science Scholarship and the Department of Education. \n 
URL:https://umbc.edu/event/melanie-killen-creating-inclusive-classrooms-in-childhood-theory-research-and-applications/
LOCATION:Albin O. Kuhn Library Gallery
CATEGORIES:All Events,Arts and Culture,Social Sciences
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/02/Melanie-Killen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260220T193000
DTEND;TZID=America/New_York:20260220T213000
DTSTAMP:20260211T184413Z
CREATED:20260210T201806Z
LAST-MODIFIED:20260211T184413Z
UID:10001174-1771615800-1771623000@umbc.edu
SUMMARY:Smithsonian Academy Orchestra
DESCRIPTION:Founded in 2024 by conductor Kenneth Slowik\, the Smithsonian Academy Orchestra is a resident ensemble of the Smithsonian Chamber Music Society\, a program of the National Museum of American History. The Orchestra’s repertoire ranges from Bach to Schoenberg\, all performed on period-appropriate instruments\, and in this program will present works by Haydn and Brahms: \nJoseph Haydn (1732–1809) — Symphony No. 94 “Surprise” (1791)\nJohannes Brahms (1833–1897) — Serenade No. 1 in D Major (1858) \n\nAdmission is free\, but reservations are required. Please visit here to reserve seats. \n\nThe Smithsonian Academy Orchestra is a program of the Smithsonian National Museum of American History\, presented in cooperation with The Smithsonian Associates\, and made possible by the generous support of The Honorable John FW Rogers and Goldman Sachs. \n\nLinehan Concert Hall is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/smithsonian-academy-orchestra-2/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2025/01/Smithsonian-Academy-Orchestra-scaled.jpg
GEO:39.255760007248;-76.715719439268
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260220T100000
DTEND;TZID=America/New_York:20260220T160000
DTSTAMP:20260210T204012Z
CREATED:20260210T204012Z
LAST-MODIFIED:20260210T204012Z
UID:10001175-1771581600-1771603200@umbc.edu
SUMMARY:Drawing Words and Speaking Pictures: This Mysterious Thing We Call Comics
DESCRIPTION:Lynda Barry leads a lively drawing jam for anyone who is interested in making comics. You don’t need any artistic ability to be part of this class\, but you must be willing to draw bravely. We’ll be learning fast drawing techniques that anyone can do to create instant characters\, story lines\, and the spook-house kind of excitement that comes about when people who don’t know each other get together in a single room and suddenly have to start making pictures together. \n\nSpace for this workshop is now full. Please consider attending Lynda Barry’s lecture on February 19! \n 
URL:https://umbc.edu/event/drawing-words-and-speaking-pictures-this-mysterious-thing-we-call-comics/
LOCATION:Location to be announced
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/02/Making-Comics.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260219T190000
DTEND;TZID=America/New_York:20260219T203000
DTSTAMP:20260219T195102Z
CREATED:20260105T211048Z
LAST-MODIFIED:20260219T195102Z
UID:10001046-1771527600-1771533000@umbc.edu
SUMMARY:Lynda Barry — What It Is: A Talk on Creativity
DESCRIPTION:Join us for a talk on creativity by award-winning author\, artist\, and cartoonist Lynda Barry. Author of 21 books\, Barry was the acclaimed creator of the seminal comic strip Ernie Pook’s Comeek\, and in 2019 received a MacArthur “genius” grant. \n“Why do people wish they could write\, sing\, dance\, and draw\, long after they’ve given up on these things?\,” asks Barry. “Does creative activity have a biological function? There is something common to everything we call the arts. What is it? It’s something I call ‘an image’\, something that feels alive and is contained and transported by something that is not alive — a book\, or a song or a painting — anything we call an ‘art form’. This ancient ‘it’ has been around at least as long as we have had hands\, and the state of mind it brings about is not plain old ‘thinking’. This talk is about our innate creative ability to work with images and what the biological function of this thing we call ‘the arts’ may be. Please note: There will be swear words\, party tricks\, and jokes about balls.” \nOn Friday\, February 20\, Barry will lead a drawing jam for anyone interested in creating comics. (The workshop is now sold out!) \n\nLynda Barry has worked as a painter\, cartoonist\, writer\, illustrator\, playwright\, editor\, commentator and teacher and found they are very much alike. The New York Times has described Barry as “among this country’s greatest conjoiners of words and images\, known for plumbing all kinds of touchy subjects in cartoons\, comic strips and novels\, both graphic and illustrated.” Widely credited with expanding the literary\, thematic and emotional range of American comics\, Barry’s seminal comic strip\, Ernie Pook’s Comeek\, ran in alternative newspapers across North America for thirty years. Barry has authored 21 books\, worked as a commentator for NPR\, and had a regular monthly feature in Esquire\, Mother Jones Magazine\, Mademoiselle\, and Salon. \nBarry has received numerous awards and honors for her work\, among them two William Eisner awards\, the American Library Association’s Alex Award\, the Wisconsin Library Association’s RR Donnelly Award\, the Washington State Governor’s Award\, the Holtz Center for Science & Technology Outreach Fellowship\, The Museum of Wisconsin Arts Lifetime Achievement Award\, and the 2017 Milton Caniff Lifetime Achievement Award from the National Cartoonists Society. She also received an Honorary Doctor of Arts degree from Philadelphia University of Art in 2015\, and was inducted into the Cartoonist’s Hall of Fame in 2016. In 2019 Lynda Barry was honored as a MacArthur Fellow (also known as the Genius Grant). In 2020 she received the 2019 NCS Reuben Award for Cartoonist of the Year\, and in 2021 Oregon State University presented her with the Stone Award for Literary Achievement. \n\nAdmission is free\, but reservations are encouraged. Please note: this event is now at capacity\, and we are no longer accepting RSVPs. \nPlease plan to arrive early. We will be seating people between 6:30 and 6:50. Unclaimed seats may be provided to walk-ups or waitlisted people. \n\nThe Fine Arts Recital Hall is located in the Fine Arts Building. \nPlease plan to park in Parking Lot 8\, which is adjacent to the Performing Arts and Humanities Building\, and the Fine Arts Building as well. (Apple and Google maps can both be used to located Lot 8 — you may need to try “Lot 8” or “Parking Lot 8” — and parking will be free there after 5 p.m. \nThe Fine Arts Building is the large red brick building near the parking lot. Look for the large illuminated “Center for Art and Visual Culture” sign. Head toward the building\, and then turn right (away from the illuminated sign) when you reach it. Then\, turn left and walk down the steps. The Fine Arts Recital Hall will appear on your left. \nThere is also a route for handicapped patrons. Proceed to the building\, and look for the amphitheatre. You will see a pathway to a door on the walkway level. Proceed through the door\, then use an elevator to descend one floor to the Recital Hall entrance. \n\nPhoto courtesy of Lynda Barry. \n\n\nThis event is supported in part by the Arts+ initiative\, Visual Arts Visiting Artists and Designers\, and the Center for Innovation\, Research\, and Creativity in the Arts. \n 
URL:https://umbc.edu/event/lynda-barry-what-it-is-a-talk-on-creativity/
LOCATION:Fine Arts Recital Hall\, MD
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Lynda-Barry-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260213T193000
DTEND;TZID=America/New_York:20260213T213000
DTSTAMP:20260210T212241Z
CREATED:20260123T204914Z
LAST-MODIFIED:20260210T212241Z
UID:10001110-1771011000-1771018200@umbc.edu
SUMMARY:Voyager Ensemble — American Connection: Celebrating the U.S.’s 250th anniversary with Music of Now
DESCRIPTION:In the spirit of armchair travelers everywhere\, the Voyager Ensemble explores a new culture each year by combining standard repertoire along with contemporary works by composers from the region. This year’s concert focuses on the United States and its 250th anniversary with directors Airi Yoshioka (violin) and David Yang (viola) joined by eminent musicians Lina Bahn (violin) and Jan Müller-Szeraws (cello). Their program features the premiere of a work by Linda Dusman\, a composition by Thomas DeLio\, and George Crumb‘s electrifying Black Angels string quartet: \n\nLinda Dusman: Matsutake | Hope (world premiere)\nThomas DeLio: String Quartet\nGeorge Crumb (1929–2022): Black Angels “Thirteen Images from the Dark Land” for electric string quartet\n\n\n$15 general admission\, $10 seniors\, $5 students. Please visit here to reserve seats. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/voyager-quartet-american-connection-celebrating-the-u-s-s-250th-anniversary-with-music-of-now/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2018/07/linehan-concert-hall-1-scaled-1.jpg
GEO:39.255760007248;-76.715719439268
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260213T130000
DTEND;TZID=America/New_York:20260213T170000
DTSTAMP:20260203T182156Z
CREATED:20260123T171229Z
LAST-MODIFIED:20260203T182156Z
UID:10001111-1770987600-1771002000@umbc.edu
SUMMARY:The Gigs and the Money: Grant Writing and Generating Opportunities for Artists
DESCRIPTION:“I didn’t sign up to be a grant writer\,” says Andrew Simonet\, founder of Artists U. “I wanted to be a choreographer. I discovered that\, to make my work\, I needed to find support and opportunities to present my work. I embarked on a painful learning process\, making lots of mistakes. I want to share with you what I’ve learned over 30 years: principles and tools for writing simple\, clear grants and for generating the gigs\, shows\, tours\, and community events that fit your work. No bull\, no fancy powerpoints\, just real-world tools\, artist to artist.” \nThis workshop is presented by the Center for Innovation\, Research\, and Creativity in the Arts (CIRCA). \n\nAdmission is free\, but this will be a limited attendance in-person workshop. Sign up here by February 9 to be placed on the waiting list. The location of workshop will be sent to you in a confirmation email. \n\nAndrew Simonet is writer and choreographer in Philadelphia. From 1993 to 2013\, he co-directed Headlong Dance Theater\, creating dances like CELL (a journey for one audience member guided by your cell phone)\, and This Town is a Mystery (dances by four Philadelphia families in their homes). Andrew left Headlong to focus on writing fiction. His debut novel\, Wilder\, was published by Farrar\, Straus\, and Giroux in 2018 and his second novel\, A Night Twice as Long\, was published by FSG in 2021. Andrew has received a Pew Fellowship in the Arts\, an Independence Fellowship in the Arts\, a Bessie for Choreography at the NYC Dance and Performance Awards\, and residencies at Yaddo\, Ucross\, Kyoto Art Center\, Studios of Key West\, Santa Fe Art Institute\, and Hambidge. His performance work has been supported by The Creative Capital Foundation\, National Endowment for the Arts\, Pew Trusts\, Rockefeller Foundation\, Japan Foundation\, and New England Foundation for the Arts\, and produced by Dance Theater Workshop (NYC)\, P.S. 122 (NYC)\, Central Park Summerstage\, Expo 98 (Lisbon)\, Dies de Dansa (Barcelona)\,The Jade Festival (Tokyo)\, The Philadelphia Live Arts Festival\, The Massachusetts Museum of Contemporary Art\, and the Portland Institute for Contemporary Art. In 2006\, Andrew founded Artists U\, an incubator for helping artists make sustainable lives. All Artists U programs are artist-led\, open source\, and free for participants. Through workshops\, convenings\, and one-on-one planning sessions\, he has worked directly with over 8\,000 artists across all disciplines. His book Making Your Life as an Artist\, an open source guide to living as an artist\, has been downloaded by 200\,000 artists worldwide and is used as a textbook in dozens of university and graduate programs. \n\nPhoto by Sky Simonet. \n 
URL:https://umbc.edu/event/the-gigs-and-the-money-grant-writing-and-generating-opportunities-for-artists/
LOCATION:Location to be announced
CATEGORIES:All Events,Arts and Culture,Dance,Music,Theatre,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Andrew-Simonet-photo-credit-Skye-Simonet.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260212T180000
DTEND;TZID=America/New_York:20260212T200000
DTSTAMP:20260128T180729Z
CREATED:20260120T182106Z
LAST-MODIFIED:20260128T180729Z
UID:10001102-1770919200-1770926400@umbc.edu
SUMMARY:absolute alternatives — Opening Reception
DESCRIPTION:The Center for Art\, Design\, and Visual Culture presents the Opening Reception for absolute alternatives\, the 2026 Arts+ UMBC Faculty Exhibition\, on display from January 30 to February 28. This event has been rescheduled from Thursday\, January 29. \nThe reception will feature a performance of Dream Feed\, composed by Zosha Di Castri\, by flutist Lisa Cella and violinist Airi Yoshioka. Opening remarks and the performance will begin at 6:10 p.m. \nDream Feed takes its title from evening infant feeding practices\, often occurring between 10:00 p.m. and midnight\, intended to support a baby’s peaceful rest through the night. The composition draws poetic resonance from this intimate\, cyclical act of care. In the context of interdisciplinary work\, Dream Feed brings forward roles that often remain invisible within creative and professional spheres\, such as parenthood\, inviting them into artistic discourse. Di Castri shares: \nAs a composer/pianist\, I see motherhood as one of the final ‘taboos’ in the professional music world\, with women often still believing they must choose between family and career\, or keep quiet about their desire for both. Though having a child alters one’s life irreversibly and may create logistical challenges\, it can also be a profoundly creative experience\, encouraging new ways of thinking and doing. \n\nOrganized by guest curator Maleke Glee\, absolute alternatives presents faculty from across UMBC whose interdisciplinary research is a form of creative practice\, including Jude Agboada\, Fiona Bell\, Kelley Bell and the Cheeky Magpie Collective\, Lynn Cazabon\, Lisa Cella\, Mayank Chugh\, Cathy Cook\, Arit Emmanuela Etukudo\, Eva Grandoni\, Tahira Chloe Mahdi\, Phillip Mann\, Steven McAlpine\, Lisa Moren\, Edgar Reyes\, Julie Sayo\, Sarah G. Sharp\, and Airi Yoshioka. \nInspired by the boundary-pushing spirit of the Arts+ Initiative\, the exhibition proposes alternatives to defining research through absolute disciplinary categories. According to Glee: \nThese scholar-artists meet the present moment directly with innovative tools\, materials\, and methods that explore\, upend or resolve unsatisfactory conditions. Here\, creativity means intervening\, excavating\, and expanding the possibilities of practice and production inside the classroom\, studio\, laboratory\, and beyond. These projects demonstrate what can happen when research and imagination work hand in hand\, highlighting individual creative curiosities as well as collaborations connecting the University\, the broader Baltimore community\, and global networks. \nabsolute alternatives brings together faculty from across the university\, as well as their UMBC student\, staff\, and outside collaborators\, with offerings from Visual Arts\, Music\, Biology\, the Individualized Study Program\, and other disciplines. \n\nVisitor Information \nAdmission to the exhibition and all public programs is free. The CADVC is open Wednesday and Thursday from 12 p.m. to 5 p.m.\, and on Friday and Saturday from 10 a.m. to 5 p.m. \nParking is free during evening and weekend hours\, and metered parking is available other times. Please visit here for directions and parking information. \nVisitors who need any specific accommodations should contact CADVC at cadvc@umbc.edu or 410-455-3188 as soon as possible. \n\n\nThis event is supported in part by the Arts+ initiative. \n 
URL:https://umbc.edu/event/absolute-alternatives-opening-reception/
LOCATION:Center for Art\, Design\, and Visual Culture (CADVC)
CATEGORIES:All Events,Arts and Culture,Music,Visual Arts
ATTACH;FMTTYPE=image/png:https://umbc.edu/wp-content/uploads/2026/01/absolute-alternatives-flyer-17-cropped-2048x1301-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260212T170000
DTEND;TZID=America/New_York:20260212T190000
DTSTAMP:20260127T200412Z
CREATED:20260127T200412Z
LAST-MODIFIED:20260127T200412Z
UID:10001124-1770915600-1770922800@umbc.edu
SUMMARY:Mary Ellen Mark: Ward 81 — Curator Tour and Opening Reception
DESCRIPTION:The Albin O. Kuhn Library Gallery presents a Curator Tour and Opening Reception for Mary Ellen Mark: Ward 81\, a photography exhibition on display from January 26 through May 22. \nIn 1976\, American photographer Mary Ellen Mark and sociologist Karen Folger Jacobs spent thirty-six days living in the Oregon State Hospital\, where they photographed the residents of Ward 81\, the hospital’s all-female\, high-security psychiatric unit. Their unprecedented access allowed them to create a deeply nuanced portrayal of women navigating psychiatric care in the mid-1970s. Mary Ellen Mark: Ward 81 brings together Mark’s photographs\, Jacobs’s newly uncovered audio recordings\, and rare archival materials\, offering an intimate and expanded view of this landmark documentary project. \n\nVisitor Information \nAdmission is free. For driving directions and parking information\, please visit here. \nLibrary Gallery hours:\nMonday\, Tuesday\, Wednesday\, Friday: 10 a.m. – 5 p.m.\nThursday: 10 a.m. – 7 p.m.\nSaturday and Sunday: 12 p.m. – 5 p.m. \n\nImage: Mary Ellen Mark\, [Mona and Beth in the shower\, Ward 81\, Oregon State Hospital\, Salem\, Oregon\, USA]\, 1976. © Mary Ellen Mark\, courtesy of The Mary Ellen Mark Foundation. \n 
URL:https://umbc.edu/event/mary-ellen-mark-ward-81-curator-tour-and-opening-reception/
LOCATION:Albin O. Kuhn Library Gallery
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Ward81-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260208T150000
DTEND;TZID=America/New_York:20260208T170000
DTSTAMP:20260204T203118Z
CREATED:20260123T161729Z
LAST-MODIFIED:20260204T203118Z
UID:10001109-1770562800-1770570000@umbc.edu
SUMMARY:Lisa Cella\, flutes
DESCRIPTION:A champion of contemporary music\, flutist Lisa Cella has performed throughout the United States and abroad. In this concert\, she presents works for flute\, alto flute\, and bass flute by composers Sidney Boquiren\, Tessa Brinckman\, Donnacha Dennehy\, Adam Greene\, Mario Lavista\, and João Pedro Oliveira: \n\nPrayer of St. Francis by Sidney Boquiren\nThe Heart Has Four Chambers by Tessa Brinckman\nfAt by Donnacha Dennehy\nPersephoneia by Adam Greene\nNocturno by Mario Lavista\nA Escada Estreita by João Pedro Oliveira\n\n\nLisa Cella is a founding member of NOISE\, the resident ensemble of San Diego New Music. With NOISE she has performed the works of young composers all around the world including at the Acousmania Festival in Bucharest\, Romania\, the Pacific Rim Festival at the University of California\, Santa Cruz\, and as ensemble-in-residence at the University of Wisconsin\, Milwaukee. NOISE also presents a three-day festival of modern music entitled soundON. Lisa performs with Jane Rigler and Carrie Rose in the flute collective inHALE\, a group dedicated to developing challenging and experimental repertoire for two or three flutes. \nShe is a faculty member of the Soundscape Festival of Contemporary Music in Blonay\, Switzerland and at Nief-Norf in Knoxville. She has taught at the Festival Internacional Cervantino in Guanajuato\, Mexico and presented workshops and recitals at the Mid-Atlantic Flute Fair in Reston\, VA and at the National Flute Association Convention. \nHer undergraduate work was completed at Syracuse University under the tutelage of John Oberbrunner\, received a Master of Music degree and a Graduate Performance Diploma from Peabody Conservatory with Robert Willoughby\, and received a Doctor of Musical Arts degree in contemporary flute performance under John Fonville at the University of California\, San Diego. She is professor of music at UMBC. \n\n$15 general admission\, $10 seniors\, $5 students. Please visit here to reserve seats. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/lisa-cella-flutes/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2023/02/Cella-Lisa-2-credit-Mike-Olliver-scaled-e1769618672113.jpg
GEO:39.255760007248;-76.715719439268
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260206
DTEND;VALUE=DATE:20260208
DTSTAMP:20260204T203108Z
CREATED:20260127T173050Z
LAST-MODIFIED:20260204T203108Z
UID:10001120-1770336000-1770508799@umbc.edu
SUMMARY:Baltimore Dance Project
DESCRIPTION:Join us for Baltimore Dance Project\, a company known for edgy collaborations with composers\, directors\, sound artists\, video artists\, engineers\, and technologists\, and for integrating visual media and technology in riveting dance performances! In the loosely thematic concert entitled Venerations\, professional dancers from the Baltimore area and beyond will perform new and reimagined works by Ann Sofie Clemmensen (the interdisciplinary My Dear Cassandra)\, Elizabeth Johnson (About No/Thing)\, Sandra Lacy (Giving Up the Ghost)\, and Jill Vasbinder (a response to Merce Cunningham’s 1979 dance film 50 Looks). Special guests Orange Grove Dance (Colette Krogol and Matthew Reeves) will present their dance film Organism and also premiere a new work. \n\nTwo performances in the Proscenium Theatre:\nFriday\, February 6\, 8 p.m.\nSaturday\, February 7\, 8 p.m. \n$20 reserved seating; $10 for UMBC students\, faculty\, and staff; $15 for senior citizens and non-UMBC students. Please reserve tickets here. \n\nThe Proscenium Theatre is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n\nPhoto by Kiirstn Pagan ’11. \n 
URL:https://umbc.edu/event/baltimore-dance-project/
LOCATION:Proscenium Theatre
CATEGORIES:All Events,Arts and Culture,Dance
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Baltimore-Dance-Project-2026-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260205T170000
DTEND;TZID=America/New_York:20260205T190000
DTSTAMP:20260127T195926Z
CREATED:20260127T194532Z
LAST-MODIFIED:20260127T195926Z
UID:10001123-1770310800-1770318000@umbc.edu
SUMMARY:Social Strategies: Practice\, Reflection\, Archive
DESCRIPTION:How can we collect\, preserve\, and learn from art practices that aren’t primarily “objects” — projects that live in relationships\, events\, conversations\, care work\, and civic collaboration? This panel will open with a brief introduction to social practice as a contemporary art form and consider why archives\, memory\, and data are central when the work is ephemeral\, community-based\, or resistant to being “captured.” In a moderated discussion\, participants will consider what counts as evidence\, who gets to tell the story\, what gets kept or lost\, and how physical archives and digital collections might support community accountability — not just institutional storage. \nDiscussants will include Chloë Bass\, Jen de los Reyes\, Pablo Helguera\, Abigail Satinsky\, Daniel Tucker\, Dan S. Wang\, and Stephanie Smith. The event will be introduced by Rebecca Uchill and Stephanie Smith\, and moderated by Beth Saunders. For bios and other information about the participants\, please visit here. \nThis program corresponds with “Social Strategies\,” a collaborative research project organized by Center for Art\, Design\, and Visual Culture\, and is hosted and co-sponsored by the Albin O. Kuhn Library Gallery. \n\nAttendees can enjoy the exhibition in the Library Gallery\, Mary Ellen Mark: Ward 81. \n\nAdmission is free. For driving directions and parking information\, please visit here. \n\nThe event is supported by the Orser Center for the Public Humanities\, and the Baltimore County Commission on the Arts and Sciences and the Citizens of Baltimore County.
URL:https://umbc.edu/event/social-strategies-practice-reflection-archive/
LOCATION:Albin O. Kuhn Library Gallery
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/png:https://umbc.edu/wp-content/uploads/2026/01/Social-Strategies.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260204T193000
DTEND;TZID=America/New_York:20260204T213000
DTSTAMP:20260204T203330Z
CREATED:20260105T202758Z
LAST-MODIFIED:20260204T203330Z
UID:10001045-1770233400-1770240600@umbc.edu
SUMMARY:Liana Pailodze Harron\, piano
DESCRIPTION:Explore breathtaking musical landscapes as pianist Liana Pailodze Harron presents an extraordinary program that celebrates both America’s 250th birthday and the diverse musical traditions close to her heart. \nThe centerpiece of the evening will be Aaron Copland‘s beloved Appalachian Spring\, performed in its complete ballet version in an arrangement for solo piano by Bryan Stanley. This unique presentation transforms Copland’s stirring musical portrait of American pioneer life into an intimate yet powerful solo piano experience. In this rendition\, one pianist becomes the entire orchestra\, breathing life into every musical voice of this Pulitzer Prize-winning composition that captures the essence of American optimism and pioneering spirit. \nJoining Liana Harron is special guest McCoy Chance\, an experimental visual and interdisciplinary artist\, for a groundbreaking performance of an Icelandic piece\, Ekki Hugsa (Don’t Think) by Ólafur Arnalds\, arranged for loop station and piano by the pianist. Chance brings his innovative approach to this collaboration\, performing through a custom\, performance-built video effects chain that processes live camera feeds in real time. The system blends analog and digital video through feedback loops\, voltage-driven distortion\, and glitch processes\, creating imagery that responds dynamically to the music. This responsive visual composition\, unique to each performance\, is projected onto the screen and concert hall stage\, building visually on the piano’s looping phrases. \nThe program will also feature works by other American composers\, as well as pieces from Harron’s native Georgia — the Republic of Georgia — weaving together the musical landscapes of her two homes in this commemorative year of American independence. \n\nLiana Pailodze Harron\, blending her Georgian heritage with an American spirit\, captivates audiences with daring performances that breathe life into contemporary classical music. Praised by Pulitzer Prize-winning critic Tim Page of The Wall Street Journal as ‘smashingly effective\,’ her latest album with Vesna Duo mesmerized audiences\, showcasing her passionate interpretations. Her artistry has graced esteemed venues across the United States and Europe\, including iconic stages such as Carnegie Hall\, Lincoln Center\, the New World Center\, and the United Nations. She is an assistant professor of music at UMBC. \nMcCoy Chance is an experimental visual and interdisciplinary artist and musician working with hybrid analog and digital video systems. His practice centers on the revitalization of discarded analog technology\, exploring its afterlives through collaborations with repair professionals\, musicians\, and Baltimore’s creative communities. His work has been screened and exhibited internationally. He holds an MFA in Intermedia and Digital Arts from UMBC. \n\n$15 general admission\, $10 seniors\, $5 students. Please visit here to reserve seats. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/liana-pailodze-harron-piano/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Liana-Harron-1.jpg
GEO:39.255760007248;-76.715719439268
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260204T120000
DTEND;TZID=America/New_York:20260204T133000
DTSTAMP:20260127T175521Z
CREATED:20260127T175521Z
LAST-MODIFIED:20260127T175521Z
UID:10001121-1770206400-1770211800@umbc.edu
SUMMARY:Adjuncts\, Artists\, and Other Innovators Engaging Community from the In-Between Spaces
DESCRIPTION:The Center for Art\, Design\, and Visual Culture (CADVC) presents a program by Tahira Chloe Mahdi entitled Adjuncts\, Artists\, and Other Innovators Engaging Community from the In-Between Spaces. This event is offered as part of absolute alternatives\, the 2026 Arts+ UMBC Faculty Exhibition\, curated by Maleke Glee\, on view at the CADVC through February 28. \nWhat is the difference between having membership in a community and being of a community? How does one engage different communities while carving a career through the in-between spaces? Are belonging and trust necessary in our work? What do we do when belonging and trust are not possible? In this interactive workshop\, participants are invited to explore and expand their perspectives on what it means to be in community with people outside of and between our boundaries. \n\nTahira Chloe Mahdi is a community psychologist\, consultant\, and adjunct professor at UMBC. She is a program evaluator and workshop facilitator for organizations\, businesses\, and institutions that cultivate community-engaged projects and research. A three-time UMBC graduate\, Mahdi publicizes her research through fiction writing and filmmaking with the novel This Is Not How It Was Supposed to Go and the new feature film Caught Out There. \n\nVisitor Information \nAdmission to the exhibition and all public programs is free. The CADVC is open Wednesday and Thursday from 12 p.m. to 5 p.m.\, and on Friday and Saturday from 10 a.m. to 5 p.m. \nParking is free during evening and weekend hours\, and metered parking is available other times. Please visit here for directions and parking information. \nVisitors who need any specific accommodations should contact CADVC at cadvc@umbc.edu or 410-455-3188 as soon as possible. \n\n\nThis event is supported in part by the Arts+ initiative. \n 
URL:https://umbc.edu/event/adjuncts-artists-and-other-innovators-engaging-community-from-the-in-between-spaces/
LOCATION:Center for Art\, Design\, and Visual Culture (CADVC)
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Tahira-Chloe-Mahdi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260204
DTEND;VALUE=DATE:20260301
DTSTAMP:20260221T170824Z
CREATED:20260120T163040Z
LAST-MODIFIED:20260221T170824Z
UID:10001100-1770163200-1772323199@umbc.edu
SUMMARY:absolute alternatives\, the 2026 Arts+ UMBC Faculty Exhibition
DESCRIPTION:The Center for Art\, Design\, and Visual Culture presents absolute alternatives\, the 2026 Arts+ UMBC Faculty Exhibition\, on display from January 30 to February 28. Organized by guest curator Maleke Glee\, absolute alternatives presents faculty from across UMBC whose interdisciplinary research is a form of creative practice\, including Jude Agboada\, Fiona Bell\, Kelley Bell and the Cheeky Magpie Collective\, Lee Boot\, Lynn Cazabon\, Lisa Cella\, Mayank Chugh\, Cathy Cook\, Arit Emmanuela Etukudo\, Eva Grandoni\, Tahira Chloe Mahdi\, Phillip Mann\, Steven McAlpine\, Lisa Moren\, Edgar Reyes\, Julie Sayo\, Sarah G. Sharp\, and Airi Yoshioka. \nInspired by the boundary-pushing spirit of the Arts+ Initiative\, the exhibition proposes alternatives to defining research through absolute disciplinary categories. According to Glee: \nThese scholar-artists meet the present moment directly with innovative tools\, materials\, and methods that explore\, upend or resolve unsatisfactory conditions. Here\, creativity means intervening\, excavating\, and expanding the possibilities of practice and production inside the classroom\, studio\, laboratory\, and beyond. These projects demonstrate what can happen when research and imagination work hand in hand\, highlighting individual creative curiosities as well as collaborations connecting the University\, the broader Baltimore community\, and global networks. \nabsolute alternatives brings together faculty from across the university\, as well as their UMBC student\, staff\, and outside collaborators\, with offerings from Visual Arts\, Music\, Biology\, the Individualized Study Program\, and other disciplines. \n\nPublic Programs \nAn Opening Reception\, featuring a performance of Zosha Di Castri’s Dream Field\, by flutist Lisa Cella and violinist Airi Yoshioka\, will take place on Thursday\, February 12 (note new date)\, from 6 to 8 p.m. \nOn Wednesday\, February 4\, at 12 p.m.\, Tahira Chloe Mahdi will present a program entitled Adjuncts\, Artists\, and Other Innovators Engaging Community from the In-Between Spaces. \nOn Saturday\, February 28\, at 2 p.m.\, conductor Philip Mann and curator Maleke Glee will be featured in Creative Convergence: A Conversation with a Conductor and Curator. \n\nVisitor Information \nAdmission to the exhibition and all public programs is free. The CADVC is open Wednesday and Thursday from 12 p.m. to 5 p.m.\, and on Friday and Saturday from 10 a.m. to 5 p.m. \nParking is free during evening and weekend hours\, and metered parking is available other times. Please visit here for directions and parking information. \nVisitors who need any specific accommodations should contact CADVC at cadvc@umbc.edu or 410-455-3188 as soon as possible. \n\n\nThis event is supported in part by the Arts+ initiative. \n 
URL:https://umbc.edu/event/absolute-alternatives-the-2026-arts-umbc-faculty-exhibition/
LOCATION:Center for Art\, Design\, and Visual Culture (CADVC)
CATEGORIES:All Events,Arts and Culture,Music,Visual Arts
ATTACH;FMTTYPE=image/png:https://umbc.edu/wp-content/uploads/2026/01/absolute-alternatives-flyer-17-cropped-2048x1301-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260201T150000
DTEND;TZID=America/New_York:20260201T170000
DTSTAMP:20260120T173941Z
CREATED:20260120T173941Z
LAST-MODIFIED:20260120T173941Z
UID:10001101-1769958000-1769965200@umbc.edu
SUMMARY:Petra Poláčková and Hao Yang\, classical guitar
DESCRIPTION:The Baltimore Classical Guitar Society presents Petra Poláčková and Hao Yang in their Baltimore debuts. \nPetra Poláčková is a musician’s musician who began studying guitar at age six in the Czech Republic. She graduated from the Pardubice Conservatory in 2010 and earned both her Bachelor’s and Master’s degrees with distinction at the Universität für Musik und darstellende Kunst Graz. Specializing in both the Romantic guitar and early music\, Petra has received a Merit Diploma from the Chigiana Academy of Siena. An acclaimed performer and educator\, she has appeared at festivals worldwide and\, since 2010\, co-organizes the Guitar Festival Mikulov. In 2020\, she released her debut CD “WEISS\,” featuring music by Sylvius Leopold Weiss recorded on a 9-string romantic guitar. She currently teaches at the Franz Liszt Hochschule Weimar in Germany and at the Royal Academy of Music Aarhus/Aalborg in Denmark. \nHao Yang is a concert classical guitarist and an Astral Artist from China. She has appeared as a soloist with the Chusachsische Philharmonie in Germany and as a guest at the Cleveland\, Panama\, and Beijing International Guitar Festivals. Hao has performed at major venues including Carnegie Hall\, Kimmel Center\, Miller Theatre at Columbia University\, and Princeton Sound Kitchen. As a chamber musician\, she made her Carnegie Hall debut by premiering Paul Lansky’s guitar duo “Talking Guitars” with JIJI\, collaborated on the PCMS series\, and appeared at the Concordia Chamber Festival. She has recorded chamber works with Grammy-winning Bridge Records Inc. Her accolades include top prizes at the Koblenz International Guitar Competition\, the Markneukirchen International Instrumental Competition\, the GFA International Concert Artist Competition\, the GFA International Youth Competition\, CSU International\, and the Andres Segovia International Guitar Competitions. Hao holds a BM from the Curtis Institute\, an MM from Lamont School of Music\, and is pursuing an Artist Diploma at Yale. \n\nTickets are priced $35–$40 and are available through the Baltimore Classical Guitar Society. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://umbc.edu/event/petra-polackova-and-hao-yang-classical-guitar/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/petra-and-hao-min-2-1536x1048-1.jpg
GEO:39.255760007248;-76.715719439268
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260126
DTEND;VALUE=DATE:20260523
DTSTAMP:20260519T144242Z
CREATED:20260120T152853Z
LAST-MODIFIED:20260519T144242Z
UID:10001099-1769385600-1779494399@umbc.edu
SUMMARY:Mary Ellen Mark: Ward 81
DESCRIPTION:The Albin O. Kuhn Library Gallery presents Mary Ellen Mark: Ward 81\, a photography exhibition on display from January 26 through May 22. \nIn 1976\, American photographer Mary Ellen Mark and sociologist Karen Folger Jacobs spent thirty-six days living in the Oregon State Hospital\, where they photographed the residents of Ward 81\, the hospital’s all-female\, high-security psychiatric unit. Their unprecedented access allowed them to create a deeply nuanced portrayal of women navigating psychiatric care in the mid-1970s. Mary Ellen Mark: Ward 81 brings together Mark’s photographs\, Jacobs’s newly uncovered audio recordings\, and rare archival materials\, offering an intimate and expanded view of this landmark documentary project. \nAn opening reception and curatorial tour will be held on Thursday\, February 12\, at 5 p.m. \nA public program featuring Kaitlin Booher (William and Sarah Ross Soter Associate Curator of Photography\, Columbus Museum of Art) and Holly Avella (assistant professor of media studies and data analytics\, UMBC) will be held on Thursday\, April 2\, at 5 p.m. \nRead the review by Jack Livingston in BmoreArt\nRead the review by Rona Kobell in The Banner \n\nVisitor Information \nAdmission is free. For driving directions and parking information\, please visit here. \nLibrary Gallery hours:\nMonday\, Tuesday\, Wednesday\, Friday: 10 a.m. – 5 p.m.\nThursday: 10 a.m. – 7 p.m.\nSaturday and Sunday: 12 p.m. – 5 p.m. \n\nImage: Mary Ellen Mark\, [Laurie in the Bathtub\, Ward 81\, Oregon State Hospital\, Salem\, Oregon\, USA]\, 1976. © Mary Ellen Mark\, courtesy of The Mary Ellen Mark Foundation. \n 
URL:https://umbc.edu/event/mary-ellen-mark-ward-81/
LOCATION:Albin O. Kuhn Library Gallery
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2026/01/Ward81-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260121
DTEND;VALUE=DATE:20260126
DTSTAMP:20260123T154715Z
CREATED:20251216T174558Z
LAST-MODIFIED:20260123T154715Z
UID:10001041-1768953600-1769385599@umbc.edu
SUMMARY:Stuart Saunders Smith: The Night Suite
DESCRIPTION:Join us January 21–25 for five concerts — collectively called The Night Suite — that celebrate the life and creativity of composer Stuart Saunders Smith\, who was professor of music at UMBC for many years. His more than 300 compositions\, both solo and ensemble\, explore a diverse world of sound and experimentation. A frequent author of percussion music\, Smith returned time and again to the vibraphone\, an instrument featured throughout The Night Suite. Performances over the five days will feature virtuosi Brian Graiser\, Lee Hinkle\, Aiyun Huang\, Ayano Kataoka\, Richard Putz\, Stephen Solook\, Jude Traxler\, and others. \nWednesday\, January 21\, 7:30 p.m.\nPlenty (2004)\, in 34 movements (“conversational version”)\nAiyun Huang\, Richard Putz\, and Brian Graiser\, vibraphones \nThursday\, January 22\, 7:30 p.m.\nNew England (2011)\, in 11 movements\nAyano Kataoka\, vibraphone \nFriday\, January 23\, 7:30 p.m.\nThe Deep (2014)\, in 4 movements\nStephen Solook\, vibraphone \nSaturday\, January 24\, 7:30 p.m.\nTwo Ballads:\nMy Romance (2016) — Jude Traxler\, vibraphone\nAlone (2016) — Richard Putz\, vibraphone\, and Kylie Carter\, vocals \nPOSTPONED — Sunday\, January 25\, 3 p.m. — Because of the impending storm and UMBC’s closure on Sunday\, this event will be rescheduled.\nCommune\, a concerto for vibraphone in four communes\nLee Hinkle\, vibraphone\, with Christopher Blossom\, soprano saxophone; Lisa Cella\, flute; Yoshi Horiguchi\, double bass; Jeremy Keaton\, cello; Thomas Moore\, piano; Michelle Purdy\, percussion; Max VanDerBeek\, percussion; and Airi Yoshioka\, violin.  \n\nStuart Saunders Smith (1948–2024) was a confessional composer in the New England tradition. “My music is about my life\,” he said. “I am after the particular\, for the revelations of the particular speak to the universal. Composition\, for me\, is autobiographical. Composing means making sense of my person and personal history. I keep company with myself\, and come to understand myself.” \nStuart Saunders Smith’s music is published by Sonic Art Editions (Smith Publications) and has been recorded on New World Records\, 11 West Records\, Centaur Records\, Opus One Records\, O.O. Discs\, Cadenza\, and GAC Sweden. \nDuring his long career\, Smith served on the faculty of the Atlantic Center for the Arts\, the Darmstadt Musikinstitut (Germany)\, Percussion Workshop Poland\, and UMBC. He was in residence at the University of California San Diego\, Yale University\, Documenta 1992 (Kassel\, Germany)\, the University of Gothenberg (Sweden)\, and New College Florida. \nSmith did not compose using any pre-compositional systems or designs. Concerning his compositional process. Rather\, with each piece\, he proclaimed and reconsidered his core beliefs\, sound by sound\, in the context of decades of music-making. He held that each sound is intelligent\, and\, when listened to\, could direct the course of events in the composition. In this way\, he listened to each sound to tell him what sound should come next\, until each piece was finished. \n\nAll performances will be held in Linehan Concert Hall. \nAdmission is free. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n\nPhoto of Stuart Saunders Smith courtesy of Sylvia Smith. \n 
URL:https://umbc.edu/event/stuart-saunders-smith-the-night-suite/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2025/12/SSS-Vermont-scaled.jpg
GEO:39.255760007248;-76.715719439268
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260115
DTEND;VALUE=DATE:20260119
DTSTAMP:20251219T191008Z
CREATED:20251219T191008Z
LAST-MODIFIED:20251219T191008Z
UID:10001043-1768435200-1768780799@umbc.edu
SUMMARY:Shakespeare in Harlem
DESCRIPTION:Shakespeare in Harlem moves downtown to the Chesapeake Shakespeare Company! If you missed the performances at UMBC’s Proscenium Theatre in October and November\, be sure to reserve tickets for four performances in January! \nUMBC Theatre presents Shakespeare in Harlem by Langston Hughes\, adapted and directed by Gerrad Alex Taylor\, a university-professional collaboration between UMBC Theatre and the Chesapeake Shakespeare Company. \nThe year 2025 marks the centennial of the Harlem Renaissance\, perhaps the largest cultural and artistic American movement of the 20th century. In celebration\, the Department of Theatre will amplify the work of Black and African American theatre-makers and our engagement with the Baltimore theatre community by mounting an adaptation of Shakespeare in Harlem by Langston Hughes. \nA rare gem from Langston Hughes\, this collection of monologue poems revives the rhythms of jazz\, the blues\, and the pulse of the Harlem Renaissance—its love\, struggles\, and street-corner spirit. In director Gerrad Alex Taylor’s adaptation\, Hughes’ words come alive in a dynamic full-length play\, blending poetry\, music\, and dance for an immersive journey into the world he so vividly celebrated. \nThe production process included a UMBC residency of Chesapeake Shakespeare Company’s Black Classical Acting Ensemble in the Fall of 2025\, culminating in a two-week run of the play performed by a cast of professionals and students. In Winter 2026\, the play will be remounted for a week’s run at Chesapeake Shakespeare Company’s downtown home on South Calvert Street. \n\nPerformances at Chesapeake Shakespeare Company (7 South Calvert Street\, Baltimore\, MD 21202) \nThursday\, January 15\, 2026\, 7:30 p.m. (Black Out Performance)\nFriday\, January 16\, 2026\, 8 p.m.\nSaturday\, January 17\, 2026\, 2 p.m.\nSunday\, January 18\, 2026\, 2 p.m. \n\nPlease visit here to reserve seats for the performances at Chesapeake Shakespeare Company. \nContent Disclosure: This play contains racially and sexually charged language\, including derogatory and offensive language\, staged violence\, including the use of a prop gun\, and references to drinking. This play deals with themes of racism\, sexism\, death\, poverty\, and displacement. \n\nPoster artwork by Eric Abele. \n\n\nThis event is supported in part by the Arts+ initiative.
URL:https://umbc.edu/event/shakespeare-in-harlem-2/
LOCATION:Chesapeake Shakespeare Company\, 7 South Calvert Street\, Baltimore\, MD\, 21202\, United States
CATEGORIES:All Events,Arts and Culture,Theatre
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2025/12/SHAKESPEARE-IN-HARLEM-FINAL-HEADER.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251212T173000
DTEND;TZID=America/New_York:20251212T200000
DTSTAMP:20251211T223107Z
CREATED:20251211T223107Z
LAST-MODIFIED:20251211T223107Z
UID:10001040-1765560600-1765569600@umbc.edu
SUMMARY:IMDA MFA Open Studios
DESCRIPTION:Join us for a special look inside the graduate studios of the Intermedia and Digital Arts (IMDA) program! Throughout the evening\, visitors can see what our MFA students are exploring\, and can get a glimpse of their studios. \nThe Intermedia and Digital Art graduate program is committed to investigating transformations of emerging artistic practices\, especially those that give rise to new processes that pose unique conceptual and social challenges. Students are working in a wide range of media including illustration\, painting\, animation and film\, fibers\, various types of sculpture\, photography and socially engaged art processes. \n\nAdmission is free. \nThe IMDA MFA studios are located at the Lion Brothers Building at 875 Hollins Street in Baltimore City. \n 
URL:https://umbc.edu/event/imda-mfa-open-studios/
LOCATION:Lion Brothers Building\, 875 Hollins Street\, Baltimore
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://umbc.edu/wp-content/uploads/2025/12/IMG_6885.jpg
END:VEVENT
END:VCALENDAR