The Livewire 14: Resounding new music festival presents A Conversation with Annea Lockwood, in which the composer will discuss her life and works with Linda Dusman, professor of music at UMBC.
The final event of the Livewire 14: Resounding new music festival presents the work of featured New Zealand-born American composer Annea Lockwood, who brings vibrant energy, ceaseless curiosity, and a profound sense of openness to her music. Lockwood’s lifelong fascination with the visceral effects of sound in our environments and through our bodies — the way sounds unfold and their myriad “life spans” — serves as the focal point for works ranging from concert music to performance art to multimedia installations.
The annual Daphne Harrison Lecture features Dagmawi Woubshet, Edmund J. and Louise W. Kahn Endowed Term Associate Professor, English, University of Pennsylvania, who will speak on James Baldwin and the Art of Late Style. James Baldwin has come back with full force in our era of Black Lives Matter. In the 100 years since his birth, he has become the most cited literary artist—living or dead—on matters of race on social media since the Ferguson Uprising, his words deployed to expose white power and innocence and to express black rage and ethics. Decades after his death, the fact that Baldwin’s words ring loud and true today not only testifies to his genius, but also offers an indictment of an America that continues to disparage, torture, and murder black people with impunity.
UMBC Theatre presents Stupid F*cking Bird by Aaron Posner, sort of adapted from The Seagull by Anton Chekhov, with songs by Aaron Posner and James Sugg, directed by Gerrad Alex Taylor. In this irreverent, contemporary, and very funny remix of Chekhov’s The Seagull, Aaron Posner stages a timeless battle between young and old, past and present, art and life. Stupid F*cking Bird will tickle, tantalize, and incite you to consider how art, love, and revolution fuel your own pursuit of happiness.
In this Humanities Forum talk, Adrian De Leon, Assistant Professor, History, New York University, discusses Diaspora’s Boondocks: Hinterlands in Filipino American History. How were the native people from the margins of empire, from Christianized lowlands peasants to sovereign indigenous people in the mountainous highlands, thrust into the center of late Spanish and American imperial projects of race-making across the Pacific? In this talk, Adrian De Leon re-routes the history of Filipino American migration to its indigenous roots in the bundok (Tagalog: the hinterland) of Northern Luzon.
The Center for Innovation, Research, and Creativity in the Arts (CIRCA) presents cellist Juan Sebastián Delgado, faculty fellow for diversity in the arts, who will discuss Imaginary Tangos: Research, improvisation, and performance practice in contemporary tango music. In this talk, he will discuss and analyze different works featuring the cello by prominent living composers that showcase a distinctive style, musical narrative, and contemporary practices.
The Department of Dance presents the annual First Works Concert, featuring new works by dance majors.
Inscape, praised by The New York Times, as "brilliant," performs a program featuring Dmitri Shostakovich's Chamber Symphony, Paul Hindemith's Mathis der Maler (arranged for chamber orchestra), and Osvaldo Golijov's Tenebrae.
The 46th Annual W.E.B. Du Bois Lecture, organized by the Department of Africana Studies, presents Nikki M. Taylor, professor of history at Howard University, who will speak on Seizing Justice with their Own Hands: Enslaved Women and Lethal Resistance. In this lecture, Taylor contends that enslaved black women carried deep and personal ideas about justice, which they exercised to resist slavery and ultimately end the tyranny of their enslavers. This event is part of the Fall 2024 Social Sciences Forum and Humanities Forum.
Join us as we embark on a mesmerizing journey through the masterpieces of two renowned composers, Mozart and Bartók, performed by the New Bartók Quartet, comprised of Wanchi Huang and Airi Yoshioka on violins, James Stern on viola, and Eric Kutz on cello. This ensemble of exceptional musicians will enrapture your senses with their skillful interpretation and heartfelt expressions.
The Department of Music presents the UMBC Symphony Orchestra and the UMBC String Chamber Orchestra under the baton of Philip Mann.
The Department of Music presents the UMBC Chamber Players under the direction of Airi Yoshioka. Students in the UMBC Chamber Players perform a wide variety of instrumental chamber works, ranging from Baroque, Classical, Romantic to contemporary repertoire.
The Department of Music presents the UMBC Gamelan Ensemble under the direction of Michelle Purdy. The ensemble performs on a central Javanese gamelan (a gong-chime orchestra of Indonesia), and also on a Balinese gamelan angklung (one of many types of gong-chime orchestras from the island of Bali, Indonesia).
The Department of Music presents the UMBC Collegium Musicum under the direction of Lindsay Johnson. The UMBC Collegium Musicum explores and performs vocal and instrumental music from Medieval, Renaissance, and Baroque periods, sampling musical repertoires created between 800 and 1750.
The Department of Music presents the UMBC Camerata under the direction of Lulu Mwangi. A small choral ensemble consisting of auditioned singers from across the university. Camerata performs a wide variety of works drawn from the expansive choral repertoire: including Renaissance motets and madrigals, folksongs, German part songs, Russian sacred liturgies, American spirituals, and new American concert works.
