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In an abstract looking black and white photo, crystal forms are stacked on top of one another.

Archive 192: Abstract Photographs by Women

Albin O. Kuhn Library Gallery

The Albin O. Kuhn Library Gallery presents Archive 192: Abstract Photographs by Women, featuring works by Sara Angelucci, Claudia Fáhrenkemper, Jennifer Garza Cuen, Sage Lewis, Claire A. Warden, and others. This exhibition presents a selection of objects from Archive 192, an independent archive dedicated to preserving and celebrating abstractionist works by women photographers. The prints on view survey the array of photographic processes and diverse techniques of abstraction employed by photographers over the past century. Related ephemera, including publications, artist books, and posters document the evolution of abstractionism in photography and political movements that impact women working within the medium.

Mounds of black and gray sand and small rocks in front of a muted blue sky.

Conflux: Variation

Fine Arts Building Amphitheatre

The Center for Art, Design, and Visual Culture launches its 2025 program with Conflux: Variation (2025) by Baltimore-region artist collective Collis Donadio. This public video art projection, showing nightly in the Fine Arts Building Amphitheatre, explores the intersections of industry and the environment in Baltimore, where water meets land.

Jason Loviglio is wearing glasses and a blue shirt.

Humanities Forum — Jason Loviglio

Albin O. Kuhn Library Gallery

Podcasts are the latest in a long list of media formats hailed as "empathy machines," technologies that will, by dint of their reach and affective force, compel us to care about one another. Radio, films, novels, and telegrams have all been previously designated as such. In the United States, public radio has, over the last 60 years, staked out a special claim for its capacity for empathy. This talk will explore the migration of the public radio structure of feeling as it migrated into narrative podcasting over the last two decades.

Seated at a grand piano, and viewed from the perspective of the strings, a person with glasses and a light blue shirt raises their left hand, as if about to play.

Celebrating Charles Ives at 150 — Joel Sachs, pianist

Earl and Darielle Linehan Concert Hall Earl and Darielle Linehan Concert Hall, Catonsville

Pianist Joel Sachs performs masterworks by Charles Ives, one of America’s greatest composers and one of the greatest modernists of the early 20th century. His rarely heard Piano Sonata No. 1 will be preceded by “The Alcotts” and “Thoreau,” the third and fourth movements of his more famous second Sonata, “Concord, Mass., 1840-1860,” a tribute to the literary giants of that little town. Taken together, these compositions offer an unforgettable view of Ives’s unique vision of music that is both universal and deeply American.

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