Lost Boys: Amos Badertscher’s Baltimore is the first career retrospective of artist Amos Badertscher in the United States. Between the 1960s and 2005, Badertscher documented hustlers, club kids, go-go dancers, drag queens, drug addicts, friends, and lovers who were part of LGBTQ+ life in Baltimore.
The Center for Art, Design and Visual Culture presents States of Becoming, an exhibition curated by Fitsum Shebeshe and produced by Independent Curators International (ICI). States of Becoming examines the dynamic forces of relocation, resettling, and assimilation that shape the artistic practices of a group of 17 contemporary African artists who have lived and worked in the United States within the last three decades, and informs the discourse on identity construction within the African Diaspora.
In this talk, public historian and curator Orilonise Yarborough will analyze the concept of sankofa, time jumping and time collapse through the use of oral history and archival research, positing that Black concepts of time have never been linear. This is the third in a series of six lectures, Beyond the Veil: Making Sense of the Spirit World.
Today, the figure of the guide dog has become a ubiquitous cultural symbol signifying blindness perhaps best shown by the fact that guide dog emojis commonly appear alongside those for wheelchairs and prosthetics. This talk will explore the role of popular culture in reshaping public responses to the figure of the guide dog and the human handler.
