Lost Boys: Amos Badertscher’s Baltimore is the first career retrospective of artist Amos Badertscher in the United States. Between the 1960s and 2005, Badertscher documented hustlers, club kids, go-go dancers, drag queens, drug addicts, friends, and lovers who were part of LGBTQ+ life in Baltimore.
The Center for Art, Design and Visual Culture presents States of Becoming, an exhibition curated by Fitsum Shebeshe and produced by Independent Curators International (ICI). States of Becoming examines the dynamic forces of relocation, resettling, and assimilation that shape the artistic practices of a group of 17 contemporary African artists who have lived and worked in the United States within the last three decades, and informs the discourse on identity construction within the African Diaspora.
The Black in the Americas Series presents Maya Quilolo, a Maroon artist and researcher whose investigations address and explore the intersections between art, anthropology, and black and indigenous cosmologies through film, photography, drawing, performance, literature, and sculpture. She will host a four-part workshop series, Beyond the Eyes: Embodied Methodologies into an Environmental Image.
Join us for UMBC’s 13th annual Livewire new music festival, an exploration of new sounds presented in six concerts over four days, October 18 to 21. What is the role of music in our society? What are the inherent powers that lie within music to transform our lives? These are the questions that will be pondered in this year’s Livewire 13: Transformation festival through music, featuring ensembles and works that specifically address music’s role in bringing about transformation on a personal and global level.
The Livewire 13: Transformation festival's inaugural concert features pianist Idith Meshulam Korman, who for ten years has taught piano in a correctional facility. Over the course of time, she has witnessed how music can empower individuals with a renewed sense of identity and life perspective, bringing about healing and reduced recidivism. In the spirit of kinship, Meshulam will perform works that have made the most impact on her students.
