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In a sepia toned photograph, five white men with guitars, a banjo and a violin stand behind a seated woman holding a banjo. Each man is identified by their names — Alex, James, Jim, Harold, Deacon — and the woman as Olabelle. A caption at the bottom says New River Boys 1959.

Ola Belle Reed: I’ve Endured

Albin O. Kuhn Library Gallery

The Albin O. Kuhn Library Gallery presents Ola Belle Reed: I've Endured, an exhibition that explores the life and work of nationally recognized bluegrass musician Ola Belle Reed, contextualizing her achievements within a history of migration from rural Appalachia north in the twentieth century. With a voice born in the mountains and shaped by the hard times she lived and saw, Reed (1916–2002) established herself as a significant and influential banjo picker, singer, and songwriter of old-time mountain music.

Annalisa Dias: Groundwater Arts

216 Performing Arts and Humanities Building

The Center for Innovation, Research and Creativity in the Arts (CIRCA) presents Annalisa Dias, a Goan-American transdisciplinary artist, community organizer, and award-winning theatre maker working at the intersection of racial justice and care for the earth.

A white woman with short dark hair is smiling and looking off to the side of the camera.

Miranda Fricker: What’s the Point of Blaming and Forgiving?

Albin O. Kuhn Library Gallery

The Department of Philosophy presents the annual Evelyn Barker Memorial Lecture, featuring Miranda Fricker, who will speak on What's the Point of Blaming and Forgiving? This event is part of the spring 2023 Humanities Forum. Blaming someone for a wrong done further disrupts your relationship with them; forgiving them restores that relationship, at least in some measure. In this talk, Miranda Fricker will explore these apparently opposed moral-relational energies, examining their various moral-social values.

 

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