Humanities Forum — Nicole R. Fleetwood

Joan S. Korenman Lecture with Nicole R. Fleetwood
Between the River and the Railroad Tracks: A Collective History/Memoir and the Legacy of Black Women Writers and Artists from Ohio
This event, presented by the Department of Gender, Women’s + Sexuality Studies, is part of the Spring 2025 Humanities Forum

Nicole R. Fleetwood emerges from her current book project, Between the River and the Railroad Tracks, part memoir and part cultural history of growing up in Hamilton, Ohio. Her exploration of her hometown is a lens to meditate on the cultural life and labor of the Black Midwest through its music, art, and community practices.

Nicole R. Fleetwood is the inaugural James Weldon Johnson Professor of Media, Culture, and Communication in the Steinhardt School at New York University. A MacArthur Fellow, she is a writer, curator, and art critic whose interests are contemporary Black diasporic art and visual culture, photography studies, art and public practice, performance studies, gender and feminist studies, Black cultural history, creative nonfiction, prison abolition and carceral studies, and poverty studies. She is the author Marking Time: Art in the Age of Mass Incarceration (Harvard University Press, 2020), winner of the National Book Critics Award in Criticism, the John Hope Franklin Publication Prize of the American Studies Association, the Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship, and both the Charles Rufus Morey Book Award in art history and the Frank Jewett Mather Award in art criticism. Her other books are On Racial Icons: Blackness and the Public Imagination (Rutgers University Press, 2015), and Troubling Vision: Performance, Visuality, and Blackness (University of Chicago Press, 2011), which was the recipient of the 2012 Lora Romero First Book Publication Prize of the American Studies Association. Her writing appears in African American Review, American Quarterly, Aperture, Artforum, Callaloo: Art and Culture in the African Diaspora, Granta, Hyperallergic, LitHub, The New York Times, Public Books, Public Culture, Signs, Social Text, art catalogues, and edited anthologies.

Admission is free.

The Joan S. Korenman Lecture is organized by the Department of Gender, Women’s, + Sexuality Studies and made possible by a grant from the Mellon Foundation. The lecture is co-sponsored by the Dresher Center for the Humanities.

Photo by Naima Green.