EOL 5: Professional Weeping (Greene)

List of Works Cited 

Abu-Lughod, Lila, and Catherine A. Lutz. 1990. Introduction: Emotion, Discourse, and the Politics of Everyday Life. In Language and the Politics of Emotion, Catherine A. Lutz and Lila Abu-Lughod, eds., pp. 1-23. Cambridge: Cambridge University Press. 

Appadurai, Arjun. 1990. Topographies of the Self: Praise and Emotion in Hindu India. In Language and the Politics of Emotion, Catherine A. Lutz and Lila Abu-Lughod, eds., pp. 92-112. Cambridge: Cambridge University Press. 

Blackburn. Stuart H. 1986. Performance Markers in an Indian Story-Type. In Blackburn and Ramanujan, eds., Another Harmony: New Essays on the Folklore of India, pp. 167-194. Oxford and Delhi: Oxford University Press. 

Blackburn, Stuart H. and A. K. Ramanujan. 1986. Introduction. In Blackburn and Ramanujan, eds., Another Harmony: New Essays on the Folklore of India, pp. 1-37. Oxford and Delhi: Oxford University Press. 

Brenneis, Donald. 1990. Shared and Solitary Sentiments: The Discourse of Friendship, Play, and Anger in Bhatgaon. In Language and the Politics of Emotion, Catherine A. Lutz and Lila Abu-Lughod, eds., pp. 113-125. Cambridge: Cambridge University Press. 

Cameron, Mary M. 1998. On the Edge of the Auspicious: Gender and Caste in Nepal. Urbana: University of Illinois Press. 

Dumont, Louis. 1986. A South Indian Subcaste: Social Organization and Religion of the Pramalai Kallar. Transl. M. Moffatt and A. Morton. Oxford: Oxford University Press. 

Egnor, Margaret [now Margaret Trawick]. 1980. On the Meaning of Shakti to Women in Tamil Nadu. In Wadley, ed., The Powers of Tamil Women, pp. 1-34. Syracuse: Maxwell School of Citizenship and Public Affairs, Syracuse University. 

_____. 1986. Internal Iconicity in Paraiyar "Crying Songs." In Blackburn and Ramanujan, eds., Another Harmony: New Essays on the Folklore of India, pp. 294-344. Oxford and Delhi: Oxford University Press. 

Evison, Gillian. 1989. Indian Death Rituals: The Enactment of Ambivalence. D.Phil. dissertation, University of Oxford. 

Feld, Steven. 1990. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression, 2nd ed. Philadelphia: University of Pennsylvania Press. 

Fulton, Robert, and Steven Anderson. 1992. The Amerindian "Man-Woman": Gender, Liminality, and Cultural Continuity. Current Anthropology 33:603-609. 

Graham, Laura. 1986. Three Modes of Shavante Vocal Expression: Wailing, Collective Singing, and Political Oratory. In Native South American Discourse, eds. Joel Sherzer and Greg Urban, pp. 83-118. Berlin: Mouton de Gruyter. 

Greene, Paul D. 1995. Cassettes in Culture: Emotion, Politics and Performance in Rural Tamil Nadu. Ph.D. dissertation, University of Pennsylvania. 

_____. 1999. Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance. Ethnomusicology 43(3):459-489. 

Hall, Kira Anne. 1995. Hijra/Hijrin: Language and Gender Identity (India). Ph.D. dissertation, University of California at Berkeley. 

Henry, Edward O. 1988. Chant the Names of God: Musical Culture in Bhojpuri-Speaking India. San Diego: San Diego State University Press 

Jefferey, Patricia, Roger Jefferey, and Andrew Lyon. 1989. Labour Pains and Labour Power: Women and Childbearing in India. London: Zed Books. 

Kuppuswamy, Pushpavanam. 1994. Popular folksinger and music scholar at Madras University. Two interviews with the author in Madras [Chennai]. 

Madan, T. N. 1985. Concerning the Categories of Subha and Suddha in Hindu Culture: An Exploratory Essay. In Marglin and Carman, eds., Purity and Auspiciousness in Indian Society, pp. 11-29. Leiden: E. J. Brill. 

Moffatt, Michael. 1979. An Untouchable Community in South India: Structure and Concensus. Princeton: Princeton University Press. 

Raheja, Gloria and Ann G. Gold. 1994. Listen to the Heron's Words: Reimagining Gender and Kinship in North India. Berkeley: University of California Press. 

Ramanujan, A. K. and Edwin Gerow. 1974. Indian Poetics. In Dimock, ed., The Literatures of India: An Introduction, pp. 115-143. Chicago: University of Chicago Press. 

Reynolds, Holly Baker. 1978. "To Keep the Tali Strong": Women's Rituals in Tamilnad, India. Ph.D. dissertation, University of Wisconsin. 

_____. 1980. The Auspicious Married Woman. In Wadley, ed., The Powers of Tamil Women, pp. 35-60. Syracuse: Maxwell School of Citizenship and Public Affairs, Syracuse University. 

Richman, Paula. 1997. Extraordinary Child: Poems from a South Indian Devotional Genre. Transl. Paula Richman. Honolulu: University of Hawaii Press. 

Saraswathi Venugopal. 1982. Natappura Patalkal (Folk Songs). In Tamil. Madurai (India): Madurai Kamaraj University, Publications Division. 

Sherinian, Zoe. 1998. The Indigenization of Tamil Christian Music: Folk Music as a Liberative Transmission System. Ph.D. dissertation, Wesleyan University. 

Tolbert, Elizabeth. 1994. The Voice of Lament: Female Vocality and Performative Efficacy in the Finnish-Karelian Itkuvirsi. In Embedded Voices: Representing Female Vocality in Western Culture, eds. Leslie Dunn and Nancy Jones, pp. 179-194. Cambridge: Cambridge University Press. 

van Oostrum, Duco. 1995. Male Authors, Female Subjects: The Woman Within/Beyond the Borders of Henry James and Others. Amsterdam and Atlanta: Rodopi. 

Urban, Greg. 1988. Ritual Wailing in Amerindian Brazil. American Anthropologist 90:385-400. 

Wadley, Susan S. 1980. The Paradoxical Powers of Tamil Women. In Wadley, ed., The Powers of Tamil Women, pp. 153-170. Syracuse: Maxwell School of Citizenship and Public Affairs, Syracuse University. 

_____. 1991. Why Does Ram Swarap Sing? Song and Speech in the North Indian Epic Dhola. In Appadurai, Koram and Mills, eds., Gender, Genre, and Power in South Asian Expressive Traditions, pp. 201-223. Philadelphia: University of Pennsylvania Press. 

Wolf, Richard. 1997. Of God and Death: Music in Ritual and Everyday Life: A Musical Ethnography of the Kotas of South India. Ph.D. dissertation, University of Illinois at Urbana-Champaign. 

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