Deborah Kapchan

Possessing Gnawa Culture: Displaying Sound, Creating History in an Unofficial Museum

  1. Introduction
  2. The Performance Context
  3. Metaphors of Possession
  4. The Encounter
  5. Exhibit One: Displaying Sound
  6. Exhibit Two: Creating Musical History in Images
  7. Exhibit Three: Possessed by Documentation
  8. Inhabiting Culture
  9. Works Cited
  10. Selected Discography for the Gnawa
  11. Sources
  12. Endnotes

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